1 result for (book:ur2 AND session:720 AND stemmed:wake)

UR2 Section 5: Session 720 November 13, 1974 7/42 (17%) shadows hallucinations oak cast camera
– The "Unknown" Reality: Volume Two
– © 2012 Laurel Davies-Butts
– Section 5: How to Journey into the “Unknown” Reality: Tiny Steps and Giant Steps. Glimpses and Direct Encounters
– Session 720: Discovering the History of Your Psyche. Exploring the Dream World Yourself. Fears and Stormy Dream Landscapes
– Session 720 November 13, 1974 9:55 P.M. Wednesday

[... 5 paragraphs ...]

Your film, however, will only take pictures today, of today. No yesterday or tomorrow will suddenly appear in the snapshots of the present. The photographer in the dream world, though, will find an entirely different situation, for there consciousness can capture scenes from entirely different times as easily as the waking photographer can take pictures of different places. Unless you realize this, some of your “dream albums” will make no sense to you.

In waking life you experience certain events as real, and generally these are the only ones that can be captured by an ordinary photographer. The dream world,1 however, presents a much larger category of events. Many [events] may later appear as physical ones, while others just as valid will not. The dream camera, therefore, will capture probable events also.

When you awaken with a dream photograph in mind, it may appear meaningless because it does not seem to correlate with the official order of activities you recognize. You may make one particular decision in physical and waking consciousness, and that decision may bring forth certain events. Using your dream camera, you can with practice discover the history of your own psyche, and find the many probable decisions experienced in dreams. These served as a basis from which you made your physical decision. There is some finesse required as you learn to interpret the individual pictures within your dream album. This should be easy to grasp, for if you tried to understand physical life having only a group of snapshots taken at different places and in different times, then it would be rather difficult to form a clear idea of the nature of the physical world.

[... 7 paragraphs ...]

Since these are far more lively than ordinary shadows, and are definitely more colorful, they may be more difficult to distinguish at first. You must remember that you are wandering through a mental or psychic landscape. You can stand before the shadow of a friend in the afternoon, in waking reality, and snap your fingers all you want to, but your friend’s shadow will not move one whit. It will certainly not disappear because you tell it to. In the dream world, however, any hallucination will vanish immediately as soon as you recognize it as such, and tell it to go away. It was cast originally by your own thought or feeling, and when you withdraw that source, then its “shadow” is automatically gone.

[... 3 paragraphs ...]

Moods obviously exist when you are dreaming as well as when you are waking. Physically the day may be brilliant, but if you are in a blue mood you may automatically close yourself off from the day’s natural light, not notice it — or even use that natural beauty as counterpoint that only makes you feel more disconsolate. Then you might look outward at the day through your mood and see its beauty as a meaningless or even cruel facade. Your mood, therefore, will alter your perception.

[... 4 paragraphs ...]

Now: If you are honest with your thoughts and feelings, then you will express them in your waking life, and they will not cast disturbing shadows in your dreams.

[... 1 paragraph ...]

Unencountered in waking life, however, the fear might cast its dim shadow, so that you dream of your child’s death, or of the death of another close to you. The dream experience would be cast into the dream landscape and encountered there. Period.

[... 14 paragraphs ...]

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