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UR2 Section 5: Session 720 November 13, 1974 5/42 (12%) shadows hallucinations oak cast camera
– The "Unknown" Reality: Volume Two
– © 2012 Laurel Davies-Butts
– Section 5: How to Journey into the “Unknown” Reality: Tiny Steps and Giant Steps. Glimpses and Direct Encounters
– Session 720: Discovering the History of Your Psyche. Exploring the Dream World Yourself. Fears and Stormy Dream Landscapes
– Session 720 November 13, 1974 9:55 P.M. Wednesday

[... 9 paragraphs ...]

Give us a moment … When you take a physical photograph you have to know how your camera works. You must learn how to focus, how to emphasize those particular qualities you want to record, and how to cut out distracting influences. You know the difference between shadows, for example, and solid objects. Sometimes shadows themselves make fascinating photographic studies. You might utilize them in the background, but as a photographer you would not confuse the shadows with, say, the solid objects. No one would deny that shadows are real, however.

[... 4 paragraphs ...]

(Pause.) In your daily world objects have shadows, and thoughts or feelings do not, so in your dream travels simply remember that thereobjects” do not possess shadows, but thoughts and feelings do.

[... 14 paragraphs ...]

Now: The physical shadow of a tree bears witness to the existence of a tree, even if you see only the shadow; so your hallucinations appearing in dreams also bear witness to their origin, and give testimony to a valid “objective” dream object that is as “solid” (slowly) in that reality as the tree is in your world.

[... 1 paragraph ...]

In the dream world, however, each feeling or idea can be immediately expressed and experienced. The physical world has buildings in it that you manufacture — that is, they do not spring up naturally from the ground itself. In the same way, your thoughts are “manufactured products” in the dream world. They are a part of the environment and appear within its reality, though they change shape and form constantly, as physically manufactured objects do not.

[... 8 paragraphs ...]

2. Seth’s creative use of “hallucinations” here is certainly at variance with the concepts ordinarily associated with the word. In a dictionary, for instance, hallucinations may be described as sights and sounds apparently perceived. Hallucinations are tied in with some mental disorders; with objects not actually present. Logically enough, then, in the dictionary one of the synonyms for hallucination will be a word like “delusion”: a belief not true, a persistent opinion without corresponding physical evidence.

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