1 result for (book:ur2 AND session:720 AND stemmed:creativ)
[... 12 paragraphs ...]
Following our analogy, in the dream world the shadow of the oak tree, once cast, would then be free to pursue its own direction. Not only that, but there would be a creative give-and-take between it and the tree that gave it birth. Anyone fully accustomed to inner reality would have no difficulty in telling the dream oak tree from its frisky shadow, however (humorously), any more than awaking photographer would have trouble distinguishing the physical oak tree from its counterpart upon the grass.
[... 5 paragraphs ...]
Give us a moment … A stone’s physical shadow will faithfully mirror its form. In those terms, little creativity is allowed it. Far greater leeway exists, however, as a thought or feeling in the dream world casts its greater shadow out upon the landscape of the mind.
[... 21 paragraphs ...]
2. Seth’s creative use of “hallucinations” here is certainly at variance with the concepts ordinarily associated with the word. In a dictionary, for instance, hallucinations may be described as sights and sounds apparently perceived. Hallucinations are tied in with some mental disorders; with objects not actually present. Logically enough, then, in the dictionary one of the synonyms for hallucination will be a word like “delusion”: a belief not true, a persistent opinion without corresponding physical evidence.