1 result for (book:ur2 AND session:719 AND stemmed:psych)
[... 40 paragraphs ...]
Now this is a mental camera we are using. There is a knack about being a good dream photographer, and you must learn how to operate the camera. In physical life, for example, a photographer knows that many conditions affect the picture he takes. Exterior situations then are important: You might get a very poor picture on a dark day, for instance. With our dream camera, however, the conditions themselves are mental. If you are in a dark mood, for example, then your picture of inner reality might be dim, poorly outlined, or foreboding. This would not necessarily mean that the dream itself had tragic overtones, simply that it was taken in the “poor light” of the psyche’s mood.
[... 11 paragraphs ...]
(In ordinary terms I can only wait, of course, to see if I decide to create that distant probable moment in this reality. In the meantime, I have no conscious memory of being an old man, let alone one in the specific, dependent situation in which I saw myself: However, aside from the idea of simultaneous time, I do believe that an individual can touch upon at least some of his or her earlier lives, provided enough long-term effort is given to the endeavor. Since through my internal vision I evidently looked in upon a particular past life of my own, however unaware I was of what I was doing, it seems that the knowledge of that existence may not be too deeply buried within my psyche. I might try jogging my memory through suggestion, to see what else about that life I can recall. It would also be interesting to see whether the same technique could help me tune in to my future in this life.
[... 18 paragraphs ...]