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UR2 Section 5: Session 719 November 11, 1974 3/72 (4%) snapshots photograph milk camera picture
– The "Unknown" Reality: Volume Two
– © 2012 Laurel Davies-Butts
– Section 5: How to Journey into the “Unknown” Reality: Tiny Steps and Giant Steps. Glimpses and Direct Encounters
– Session 719: More on Good and Evil in Relation to Dream Travel. What to Look For in Your Psychic Explorations. Practice Elements 13, 14
– Session 719 November 11, 1974 9:36 P.M. Monday

[... 28 paragraphs ...]

Different varieties of dreams often provide frameworks that allow you to leave your own world view under “cushioned conditions.” You step out of the normal picture that you have made of reality.

[... 4 paragraphs ...]

In your sleep, however, your consciousness slips out of your body and returns to it frequently. You dream when you are out of your body, even as you dream inside it. You may therefore form dream stories about your own out-of-body travel, while your physical image rests soundly in bed. The unknown reality, you see, is not really that mysterious to you. You only pretend that it is. Sometimes you have quite clear perceptions of your journeys, but the actual native territories that you visit are so different from your own world that you try to interpret them as best you can in the light of usual conditions. If you remember such an episode at all it may well seem very confusing, for you will have superimposed your own world view where it does not belong.

[... 6 paragraphs ...]

Now this is a mental camera we are using. There is a knack about being a good dream photographer, and you must learn how to operate the camera. In physical life, for example, a photographer knows that many conditions affect the picture he takes. Exterior situations then are important: You might get a very poor picture on a dark day, for instance. With our dream camera, however, the conditions themselves are mental. If you are in a dark mood, for example, then your picture of inner reality might be dim, poorly outlined, or foreboding. This would not necessarily mean that the dream itself had tragic overtones, simply that it was taken in the “poor light” of the psyche’s mood.

[... 30 paragraphs ...]

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