1 result for (book:ur2 AND session:719 AND stemmed:he)
[... 31 paragraphs ...]
(Still in trance, Jane set the milk aside. She didn’t return to it, but sipped her wine for the rest of the session. I was tempted to ask Seth to explain his idea of what good milk was like, and in what life [or lives] he’d enjoyed such a potion, but I didn’t want to interrupt the flow of the material. While tasting the milk during break, however, Jane “herself” had had no such reaction.)
[... 8 paragraphs ...]
Now this is a mental camera we are using. There is a knack about being a good dream photographer, and you must learn how to operate the camera. In physical life, for example, a photographer knows that many conditions affect the picture he takes. Exterior situations then are important: You might get a very poor picture on a dark day, for instance. With our dream camera, however, the conditions themselves are mental. If you are in a dark mood, for example, then your picture of inner reality might be dim, poorly outlined, or foreboding. This would not necessarily mean that the dream itself had tragic overtones, simply that it was taken in the “poor light” of the psyche’s mood.
[... 1 paragraph ...]
Many people, however, remembering a dark dream, become frightened. You even structure your dreams, of course. For that matter, your dream world is as varied as the physical one. Each physical photographer has an idea of what he wants to capture on film, and so to that extent he structures his picture and his view. The same applies to the dream state. You have all kinds of dreams. You can take what you want, so to speak, from dream reality, as basically you take what you want from waking life. For that reason, your dream snapshots will show you the kind of experience that you are choosing from inner reality.
[... 1 paragraph ...]
(Seth spent the next six minutes or so giving some personal material for Jane. Then, as he was about to wind up the session:
[... 21 paragraphs ...]
My eyes were closed, and something about my bearing or pose reminded the present me of my father in his old age. When he lay dying, early in February 1971, I stood so that I had a view of him similar to the one I’d just experienced of myself. I was sure that this old man was me, though, and no one else. I was very thin beneath the blanket, which I believe was an ivory color.
[... 4 paragraphs ...]