“Seth material” search engine (Jane Roberts)

Now: Good evening —

(“Good evening, Seth.”)

Other concepts are really not basically workable even in your own physical reality. A rigid, dogmatic concept of good and evil will force you to perceive physical existence as a battleground of opposing forces, with the poor unwary soul almost as a buffer. Or you will think of the poor soul as a blackboard eraser, slapped between two hands — one good and one evil.

Upon the blackboard, in this homey analogy, would be written the soul’s earthly experiences. With the eraser the “evil hand” would try to rub out all of the good, and at the same time the “good hand” would be trying to erase all of the evil. In such a case all of your experience becomes suspect. You will have a tendency to consider the body with its natural appetites wrong, and deny them, while at the same time the physical part of you will look upon your “good intents” as wrong, and infringements upon its own existence.

(Intently:) You often find yourself encountering your own structures, no longer hidden in the kind of experience with which you are familiar. These may then appear in quite a different light. You may be convinced that you are evil simply because you are physical. You may believe that the soul “descends” into the body, and therefore that the body is lower, inferior, and a degraded version of “what you really are.” At the same time your own physical being knows better, and basically cannot accept such a concept.² So in daily life you may project this idea of unworth outward onto another person, who seems then to be your enemy; or upon another nation. In general, you might select animals to play the part of the enemy, or members of another religion, or political parties.

In any case, in your private life you may hardly ever encounter your belief in your own unworth, or evil. You will not realize that you actually consider yourself the enemy. You will be so convinced that your projection (onto others) is the enemy that there will be no slack to take up, for all of your feelings of self-hate or self-fear will be directed outward.

When you begin to leave your home station and alter your focus, however, you leave behind you the particular familiar receptors for your projections. Using the Ouija board or automatic writing, you may find yourself immediately confronted with this material that you have suppressed in the past. When it surfaces you may then project it outward from yourself again, but in a different fashion. Instead of thinking you are in contact with a great philosopher or “ancient soul,” you may believe that you are instead visiting with a demon or a devil, or that you are possessed of an evil spirit.

In such a case, you will have already been convinced of the power of evil. Your natural feelings, denied, will also carry the great charge of repression. You may be filled with the feeling that you are in the midst of a great cosmic struggle between the forces of good and evil — and indeed, this often represents a valid picture of your own view of the world.

Now when you leave your home station and alter your consciousness, you are always a tourist if you take your own baggage of ideas along with you, and interpret your experiences through your own personal, cultural beliefs. There is nothing unconventional about gods and demons, good spirits or bad spirits. These are quite conventional interpretations of experience, with religious overtones. Cults simply represent counter-conventions, and they are as dogmatic in their way as the systems they reject. Underline that sentence.

(Still in trance, Jane set the milk aside. She didn’t return to it, but sipped her wine for the rest of the session. I was tempted to ask Seth to explain his idea of what good milk was like, and in what life [or lives] he’d enjoyed such a potion, but I didn’t want to interrupt the flow of the material. While tasting the milk during break, however, Jane “herself” had had no such reaction.)

You will, of course, try to snap as good a picture as possible. Varying results can be expected. Some of you will awaken with a dream picture that presents itself immediately. Others may find such a picture suddenly appearing later in the day, in the middle of ordinary activities. If you perform this exercise often, however, many of you will find yourselves able to use the camera consciously even while sleeping, so that it becomes an element of your dream travels; you will be able to bring more and more pictures back with you.

Now this is a mental camera we are using. There is a knack about being a good dream photographer, and you must learn how to operate the camera. In physical life, for example, a photographer knows that many conditions affect the picture he takes. Exterior situations then are important: You might get a very poor picture on a dark day, for instance. With our dream camera, however, the conditions themselves are mental. If you are in a dark mood, for example, then your picture of inner reality might be dim, poorly outlined, or foreboding. This would not necessarily mean that the dream itself had tragic overtones, simply that it was taken in the “poor light” of the psyche’s mood.

My heartiest regards and a fond good evening.

(“Thank you very much, Seth. Good night.”

2. When I come across material that puts down the physical body, I sometimes try to counter such negative projections by turning to one of the technological accomplishments of our “degraded” species: I study photographs of minute portions of the human body, taken with a scanning electron microscope. Then I experience a series of steps in thinking — not all of them good, I’m afraid — and I’d like to mention each one in turn.