1 result for (book:ur2 AND session:718 AND stemmed:writer)

UR2 Section 5: Session 718 November 6, 1974 4/95 (4%) James view Jung tuned William
– The "Unknown" Reality: Volume Two
– © 2012 Laurel Davies-Butts
– Section 5: How to Journey into the “Unknown” Reality: Tiny Steps and Giant Steps. Glimpses and Direct Encounters
– Session 718: World Views and Creativity. Communication With the Dead. Concepts of Good and Evil in Relation to Dream Travel. Interpreting Unofficial Information
– Session 718 November 6, 1974 9:50 P.M. Wednesday

[... 29 paragraphs ...]

Ruburt has been working with alterations of consciousness (for Psychic Politics), and wondering about the basic validity of religion. He has been trying to reconcile intellectual and emotional knowledge. James is far from one of his favorite writers, yet Ruburt’s interests, intent, and desire were close enough so that under certain conditions he could experience the world view held by James. The unknown reality is unknown only because you believe it must be hidden. Once that belief is annihilated, the other quite-as-legitimate views of reality can appear to your consciousness, and worlds just as valid as your own swim into view.

[... 12 paragraphs ...]

Such creative “architect’s plans” are often unknowingly picked up by others, altered or changed, ending up as entirely new productions. Most writers do not examine their sources that closely. The same applies, of course, to any field of endeavor. Many quite modern and sophisticated developments have existed in what you think of now as past civilizations. The plans, as models, were picked up by inventors, scientists, and the like, and altered to their own specific directions, so that they emerged in your world not as copies but as something new. Many so-called archaeological discoveries were made when individuals suddenly tuned in to a world view of another person not of your space or time. Before you have the confidence to leave your own particular home station, however, you must be secure within it. You must know it will “be there” when you get back.

[... 5 paragraphs ...]

Now: Ruburt has trained himself to deal with words as a writer. When he picks up a world view that belongs to someone else, he can quite automatically translate it faithfully enough in that idiom of language. Many artists do the same thing, translating inner “models” into paint, lines, and form.

[... 3 paragraphs ...]

Yet in many such instances, the Ouija board operator or the automatic writer is to some extent or another tuning in to a world view, struggling to open roads of perception free enough to perceive an altered version of reality, but not equipped enough through training and temperament, perhaps, to express it.

[... 41 paragraphs ...]

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