“Seth material” search engine (Jane Roberts)

Instead of a regular session (last Monday night), the framework of the session was used in a new kind of exercise. It was meant as an example of what can happen under the best of circumstances, when someone leaves a native world view and tunes in to another, quite different from the original.

(Slowly:) He was aware, however, of the universe through William James’s world view. Period. As you might dial a program on a television set, Ruburt tuned in to the view of reality now held in the mind of William James. Because that view necessarily involved emotions, Ruburt felt some sense of emotional contact — but only with the validity of the emotions. Each person has such a world view, whether living or dead in your terms, and that “living picture” exists despite time or space. It can be perceived by others.

(Pause, one of many.) Each world view exists at its own particular “frequency,” and can only be tuned in to by those who are more or less within the same range. However, the frequencies themselves have to be adjusted properly to be brought into focus, and those adjustments necessitate certain intents and sympathies. It is not possible to move in to such a world view if you are basically at odds with it, for example. You simply will not be able to make the proper adjustments.

It is quite possible to tune in to the world view of any person, living or dead in your terms. The world view of any individual, even not yet born from your standpoint, exists nevertheless. Ruburt’s experience simply serves as an example of what is possible.

Ruburt tuned in to that unwritten book. It carried the stamp of James’s own emotional state at that “time,” when he was viewing his earthly experience, in your terms, from the standpoint of one who had died, could look back, and see where he thought his ideas were valid and where they were not. At that point in his existence, there were changes. The plan for the book existed, and still does. In Ruburt’s “present,” he was able to see this world view as expressed within James’s immortal mind.

However, it is quite possible for him to tune in to James’s complete book if he desires to, for that work is indeed a psychic reality, a plan or a model existing in the inward order of activity (as Jane had explained to me in similar terms this afternoon).

Such creative “architect’s plans” are often unknowingly picked up by others, altered or changed, ending up as entirely new productions. Most writers do not examine their sources that closely. The same applies, of course, to any field of endeavor. Many quite modern and sophisticated developments have existed in what you think of now as past civilizations. The plans, as models, were picked up by inventors, scientists, and the like, and altered to their own specific directions, so that they emerged in your world not as copies but as something new. Many so-called archaeological discoveries were made when individuals suddenly tuned in to a world view of another person not of your space or time. Before you have the confidence to leave your own particular home station, however, you must be secure within it. You must know it will “be there” when you get back.

(We also discussed the parallels — and differences — revolving around Jane’s perception of the James book this week and her development eight months ago of the outline and chapter headings for the possible book The Way Toward Health. Two months later, in May, she produced the summary for The Wonderworks, which would be a shorter dissertation on her own dreams, Seth, and the dream-formation of the universe as we know it. [See appendixes 7 and 11 in Volume 1 of “Unknown” Reality.] Jane hasn’t taken the time to concentrate upon either of those projects, interesting as they are, although she would if one — or both — of them “caught fire” for her. Neither Jane nor Seth had delivered their respective world-view ideas when she came through with Health and Wonderworks, so another significant aspect of her abilities has since become conscious. Once more questions arise. For instance: Whose world view was Jane tuning in to for the health book? Her own? In turn, of course, all three potential endeavors — Religious States, Health, and Wonderworks — must have origins that are closely related to the source of information behind the “psychic library” Jane tells of visiting in Politics.

So do scientists and inventors often tune in to the world views of others — living or dead, in your terms — that correlate with their own intents, talents, and purposes.⁸

These “other,” reinterpreted world views form a matrix from which new creativity emerges. The same thing applies in more mundane endeavors in ordinary life. For example: You may be in a predicament that seems beyond solving. It may be highly individual, since it is yours. It is unique, and has happened in no other way before. No one else has viewed your particular dilemma through your eyes, yet others have been in similar situations, solved the challenges involved, and gone on to greater creativity and fulfillment. If you can momentarily abandon your private world view, that focus from which you experience reality, then you can allow the experience of others who have had similar challenges to color your perception. You can tune in to their solutions and apply them to your particular circumstances. You often do this unconsciously. I do not want you to think, then, that such occurrences work only in esoteric terms.

Yet in many such instances, the Ouija board operator or the automatic writer is to some extent or another tuning in to a world view, struggling to open roads of perception free enough to perceive an altered version of reality, but not equipped enough through training and temperament, perhaps, to express it.

(Emphatically:) There is great energy, however, in those who have persevered enough to become generally known in their time, and the great impetus of that psychic and mental energy does not cease at death, but continues. In their way others may tune in to that continuing world view; and, picking it up, can be convinced that they are in contact with the physical personality who held it.

The fly is intensely conscious, at every moment engrossed in itself and its environment, precisely tuned to elements of which you are “unconscious.” There are simply different kinds of consciousness, and you cannot basically compare one to the other any more than you can compare, say, a toad to a star to an apple to a thought to a woman to a child to a native to a suburbanite to a spider to a cat. They are varieties of consciousness, each focused upon its own view of reality, each containing experience that others exclude.

1. Jane remembered part of one of the two practice elements she’d tuned in to Sunday night; perhaps we’ll get them later. She said that Seth had designed them to follow those he’d given in the 716th session. At the moment, even the fragment she recalled is well worth trying: Seth instructed the reader to immerse himself or herself in an old photograph of a person — and then to look out at our current physical reality through that individual’s eyes. An interesting way to gain a fresh perspective on our present time.

8. Seth’s information here, that scientists and inventors often tune in to the world views of other such individuals, at once reminded me that a similar long-term situation could have existed within the Butts family.