“Seth material” search engine (Jane Roberts)

(On Monday, November 4, I mailed to Jane’s publisher all of the art due for her Adventures in Consciousness: An Introduction to Aspect Psychology: the 16 diagrams I’d just finished, plus two older pieces of work. All are in “line,” or pen-and-ink. I thought it interesting that as I was completing work for Jane’s first book on aspect psychology, she was starting Psychic Politics, the second one in the series. But now I can return to my longer project — the 40 line drawings for Jane’s book of poetry, Dialogues of the Soul and Mortal Self in Time. Adventures and Dialogues are to be published by Prentice-Hall in the spring and fall, respectively, of 1975. Other references to both books can be found in Note 1 for Session 714.

(Instead a development took place that left us puzzled, intrigued, and more than a little upset. Yet at this writing [immediately following the 718th session], I can note that we’ve been somewhat relieved by subsequent events. Now, in fact, I’m veering toward the idea that Monday night’s session marked a distinct step in the further development of Jane’s abilities. She may also use some of that new material in Politics.²

(Other reasons must enter in, of course. But for now let’s say that Jane knows of James and his work; she’s read parts of his Varieties, for instance, but seemed rather put off by it, where I reread passages from it frequently.

(The letter from the Jungian psychologist evidently provided the immediate impetus for the fly episode and for Monday evening’s events, though. The author requested additional material from Seth on Jung or his works. I hardly think it accidental now that such an inquiry came just when Jane’s abilities seemed about to ripen in the particular way they did that night.

(What had happened to Seth? That individual would have to wait. “I was getting just now,” Jane said at 8:58, “that James called his melancholy ‘a cast of soul.’” Her eyes were closed. “Now I’m getting a book. Why, it’s a paperback. I see this printed material, only it’s very small, almost microscopic, and oddly enough the whole thing is printed on grayish-type paper. I see it really small, in my mind.”

Now. This section [of “Unknown” Reality] deals with the various exercises that will, I hope, provide you with your own intimate glimpses into previously unknown realities.

(Slowly:) He was aware, however, of the universe through William James’s world view. Period. As you might dial a program on a television set, Ruburt tuned in to the view of reality now held in the mind of William James. Because that view necessarily involved emotions, Ruburt felt some sense of emotional contact — but only with the validity of the emotions. Each person has such a world view, whether living or dead in your terms, and that “living picture” exists despite time or space. It can be perceived by others.

Such creative “architect’s plans” are often unknowingly picked up by others, altered or changed, ending up as entirely new productions. Most writers do not examine their sources that closely. The same applies, of course, to any field of endeavor. Many quite modern and sophisticated developments have existed in what you think of now as past civilizations. The plans, as models, were picked up by inventors, scientists, and the like, and altered to their own specific directions, so that they emerged in your world not as copies but as something new. Many so-called archaeological discoveries were made when individuals suddenly tuned in to a world view of another person not of your space or time. Before you have the confidence to leave your own particular home station, however, you must be secure within it. You must know it will “be there” when you get back.

Now: Ruburt has trained himself to deal with words as a writer. When he picks up a world view that belongs to someone else, he can quite automatically translate it faithfully enough in that idiom of language. Many artists do the same thing, translating inner “models” into paint, lines, and form.

You are each as valid as Socrates or Plato. Your influences reach through the entire framework of actuality in ways that you do not understand. Socrates and Plato — and William James (note that I smiled) — specialized in certain fashions. You know these individuals as names of people that existed — but in your terms, and in your terms only, those existences represented the flowering aspects of their personalities. (Louder.) They often dwelled nameless upon the face of the earth, as many of you do, in your terms only, now, before reaching what you think of as those summits.

(We keep our typewritten transcripts of the sessions in a series of three-ring binders. I not only record the current session in the latest one, of course, but have in there a page or two of comments and questions so that from time to time I can ask Seth to clear them up. In closing the notebook tonight, I noticed the query I’d written following the 697th session for May 13, 1974, in Volume 1. In that session Seth told us: “Because you are now a conscious species, in your terms, there are racial idealizations that you can accept or deny.”

(Idly now, not intending that Jane do any more work this evening, I read my question aloud. She raised a hand in dismay. “I’m tired,” she said, “but wait a minute — I’ve got the answer. Seth’s all ready. Get me a pack of cigarettes, and I’ll do it….”

(12:14.) Now: I have been using your terms as I understood your meaning of them.

2. A note added several months later: I see now that I should enlarge upon Note 2 for the 715th session, in which I wrote that Jane “would initiate the transposition of material from Volume 2 of ‘Unknown’ Reality into Politics, since she was so intimately and enthusiastically involved in producing both books at the same time.” For her to work this way is entirely in keeping with her spontaneous nature; she intuitively seeks to use whatever sources of information — including Seth himself — she has at hand for whatever project she may be engaged in. In the early chapters of Politics especially, then, she both quotes and paraphrases material from Volume 2, beginning with the 714th session, which contains her account of her original inspiration for that work.

For example, Jane began Politics by describing how impatient she was, how “disconnected” she felt, because she hadn’t been inspired since finishing Adventures two months previously. Indeed, she was very upset over this, and quite serious in her feeling, as she later wrote in her new book, of being abandoned by her inner self. In Volume 2, now, the reader can note the many events Jane was actually involved in before she began Politics (on October 23), and see just how objective her perception of her activities was — or see, really, the demanding standards of creativity against which she constantly judges herself

In my own notes, of course, I described those events dealt with by Jane and Seth from my own perspective, as I watched them happen. “In ‘Unknown’ Reality the reader should focus upon the material from Seth’s viewpoint,” Jane said. “Yet it might be fun now and then to look at the daily events in our lives first, as recorded in Rob’s notes — and see the dictation in the sessions as emerging from those humble sources. What I’ve said in Psychic Politics should certainly add a lot of insight there.”