“Seth material” search engine (Jane Roberts)

You know where physical reality is, then, on the dial of your multidimensional television set. While focused within that living scene you can learn to travel through it, leaving the “surface” picture intact and whole. In a way you program yourself, going about your daily duties as conscientiously and effectively as usual — but at the same time you discover an additional portion of your own reality. This does not diminish the physical self. Instead, in fact, it enriches it. You discover that the psyche has many aspects. While fully enjoying the physical aspect you find that there is some part of you left over, so to speak; and that part can travel into other realities. It can also then return, bringing the physically oriented self “snapshots” of its journeys. These snapshots are usually interpreted in terms of your home program. Otherwise, they might make no sense to the physical self.

Throughout the ages people have taken such journeys. The snapshots⁵ are developed in the “darkroom” that exists between your world and those visited. The people who have journeyed into the unknown reality have always been adventurous. Yet many had already seen the snapshots sent to your world by others, and so they began to clothe their own original visions of their journeys in the guise of those other pictures. A group of handy ideas, concepts, and images then formed. The clear vision of such explorers became lost. Those travelers no longer tried to make their own original snapshots of the strange environments and realities through which they passed. It was easier to interpret their experiences through the psychic penny postcards.

(Long pause.) Once individual travelers took those snapshots, and they represented original interpretations of other realities. They stood for individual versions of certain travelers taking brief glimpses of strange worlds, and interpreting their experiences to the best of their abilities. As such they were very valid. (Louder:) They were as valid as any snapshot that you might take of your backyard in the morning. That picture, however, would vary considerably from one taken by an inhabitant of your planet in a different part of the world, and in a different environment.

If there were discrepancies among the snapshots, however, people worried. While you expect pictures of your own reality to be diverse, those who journeyed into the unknown reality became concerned if their snapshots did not agree, so they tried desperately to make all of the pictures look alike. They touched them up, in other words.

The same applies to other realities. You know there is a difference between, say, the picture before your eyes and a postcard, “artificial,” rendition of it. So there is a difference between the unknown reality and the postcards that have been given to you to depict it.