1 result for (book:ur2 AND session:714 AND stemmed:self)

UR2 Section 4: Session 714 October 23, 1974 3/71 (4%) snapshots tone postcards sound Politics
– The "Unknown" Reality: Volume Two
– © 2012 Laurel Davies-Butts
– Section 4: Explorations. A Study of the Psyche As It Is Related to Private Life and the Experience of the Species. Probable Realities As a Course of Personal Experience. Personal Experience As It Is Related to “Past” and “Future” Civilizations of Man
– Session 714: Snapshots of Other Realities, Psychic Guided Tours, Inner Sounds and the True Tone
– Session 714 October 23, 1974 9:36 P.M. Wednesday

[... 10 paragraphs ...]

The unknown reality and the psyche’s greater existence cannot be separated from the intimate knowledge of the flesh, however, for the life of the flesh takes place within that framework. As earlier mentioned,4 the conscious self generally focuses in but one small dimension. Period. That dimension is experienced as fully as possible, its clear brilliance and exquisite focus possible only because you tune in to it and bring it to the forefront of your attention. In your terms, when you understand how to do this, then you can begin to tune in to other “stations” as well.

You know where physical reality is, then, on the dial of your multidimensional television set. While focused within that living scene you can learn to travel through it, leaving the “surface” picture intact and whole. In a way you program yourself, going about your daily duties as conscientiously and effectively as usual — but at the same time you discover an additional portion of your own reality. This does not diminish the physical self. Instead, in fact, it enriches it. You discover that the psyche has many aspects. While fully enjoying the physical aspect you find that there is some part of you left over, so to speak; and that part can travel into other realities. It can also then return, bringing the physically oriented self “snapshots” of its journeys. These snapshots are usually interpreted in terms of your home program. Otherwise, they might make no sense to the physical self.

[... 25 paragraphs ...]

(10:58.) “Sounds are aware of their own separateness, gloriously unique, yet each one merging into a symphony. Each sound recognizes itself as itself, striking the dimensional medium in which it finds its expression; yet it’s aware of the infinite other multitudinous sounds it makes in other realities — the instruments through which it so grandly plays. Each cell, c-e-l-l, strikes in the same fashion, and so does each self; s-e-l-f, in a kaleidoscope in which each slightest variation has meaning and affects the individual notes made by all.

[... 32 paragraphs ...]

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