“Seth material” search engine (Jane Roberts)

Now imagine that the picture on the television screen shows your own universe. Your idea of space travel would be to send a ship from one planet, earth, outward into the rest of space that you perceive on that “flat” screen. Even with your projected technology, this would involve great elements of time. Imagine here, now, that the screen’s picture is off-center to begin with, so that everything is distorted to some extent, and going out into space seems to be going backward into time.

(Slowly:) The simple picture of the universe that you see on our screen, therefore, represents a view from your own now perspective — but each star, planet, galaxy or whatever is made up of other reference points in which, to put it simply, the same patterns have different kinds of reality. True space travel would of course be time-space travel,⁵ in which you learned how to use points in your own universe as “dimensional clues” that would serve as entry points into other worlds. Otherwise you are simply flying like an insect around the outside of the television set, trying to light on the fruit, say, that is shown upon the screen — and wondering, like a poor bemused fly, why you cannot. You use one main focus in your reality. In the outside world this means that you have a “clear picture.” (Humorously:) There is no snow! That physical program is the one you are acting in, alive in, and it is the one shown on the screen. The screen is the part of your psyche upon which you are concentrating. You not only tune in the picture but you also create the props, the entire history of the life and times, hyphen — but in living three-dimensional terms, and “you” are within that picture.

The kind of reality thus created by that portion of your consciousness forms a given kind of experience. It is valid and real. When you want to travel, you do so within the dimensions of the reality thus created. If you drive or fly from one city to another, you do not consider the journey imaginary. You are exploring the dimensions given.

(10:18.) Now: If you alter that picture a little so that the images are somewhat scrambled — and you do this by altering the focus of your consciousness — then the familiar coordination is gone. Objects may appear blurred, ordinary sounds distorted. It seems as if you are on the outskirts of your own reality. In such a state, however, it is easy to see that your usual orientation may be but one of many frames of reference. (Pause.) If you did change the focus of your consciousness still further, you might then “bring in” another picture entirely. On the outside this would give you another reality. (Intently:) In it your “old” reality might still be somewhat perceivable as a ghost image,⁶ if you knew what to look for and remembered your former coordinates. On the inside, however, you would be traveling not around or about, but through one portion of the psyche with its reality, into another portion of the psyche with its reality. That kind of journey would not be any more imaginary than a trip from one city to another.

Give us time … When you change your ordinary television set from one station to another you may encounter snow or distortion. If something is wrong with the set you may simply tune in patterns that seem meaningless and carry no particular program. You may have sound without a picture, and sometimes even a picture but sound from another program. So when you begin to experiment with states of altered consciousness you often run into the same kind of phenomena, when nothing seems to make sense.

(10:32.) Currently, physicists have made some important breakthroughs, but they do not recognize their significance. The universe that you know is full of microscopic black holes and white holes,⁷ for example. Since your scientists have themselves given these labels, then using those terms I will say (with much gentle humor) that there are red, green, orange and purple holes — that is, the so-called black holes and white holes only represent what physicists have so far deduced about the deeper properties of your universe, and the way that certain coordinate points in one world operate, as providing feed-through into another.

(Jane commented here on something I’d also become aware of in recent sessions. For whatever reasons since holding the 709th session, she hasn’t had to wait for that certain, more “difficult” kind of trance to develop before launching into Seth’s book material; see the note at 10:55 for that session. In some fashion she can’t describe, Jane is now able to reach the “right” trance state, or to arrive at it, much more easily. For other contrasting examples, in Volume 1 see the notes closing out sessions 688 and 703, as well as related material in Appendix 4, wherein I wrote about the translation challenges she’s often faced since beginning “Unknown” Reality: “— hence her talk before many of these sessions … about attaining that ‘certain clear focus,’ or ‘the one clearest place in consciousness,’ before she began speaking for Seth.”

In certain terms, then, this involves in a very small way the creation and colonization of a different kind of reality — consciously accepted, however, from your perspective. On an unconscious level, the world as you know it expands in just such a fashion.¹⁰ Several students have had dreams involving their participation in such a project. Ruburt found himself in an out-of-body state, looking at a jacket. It had four rectangular pockets. It was giant-sized. As he looked at it the front flap was open. In the dream he flew through this flap literally into another dimension, where the point of the flap was a hill upon which he landed. From that second perspective, the pockets of the jacket in the first perspective became the windows of a building that existed in a still-further, third dimension beyond the hill. Standing on the hill, he knew that in Perspective One the windows of the building in Perspective Three were jacket pockets, but he could no longer perceive them as such. Looking out from the hill in Perspective Two, Perspective One was invisibly behind him, and Perspective Three was still “ahead” of him, separated from him by a gulf he did not understand.

The universe is with you and not against you. Your fellow men are with you and not against you. When [each of] you realize that, then you reach those portions of your fellows that are with you. You meet them at a different level that is illuminating to them also, and starts them developing…. The will’s power is impressive, and it is “distributed” throughout the body. The body depends upon it for direction. The will’s beliefs, again, activate the body’s automatic resources.

punctures in a universe