1 result for (book:ur2 AND session:713 AND stemmed:repres)
[... 11 paragraphs ...]
Think again of the psyche in the manner mentioned, taking it for granted that the program now on the screen is a fully dimensioned reality, and that hidden somehow in its very elements are all of the other programs not showing. These are not lined up in space behind the “front” program, but in a completely different way contained within it. The point of any image at any given time in the picture showing might represent, for example, a top hat on a table. Everyone acting in that scene would view the hat and the table, and react accordingly with their own individual characteristics.
[... 3 paragraphs ...]
(Pause.) If the picture were magically centered, then all “time” would be seen to flow out from the instant moment4 of perception, the private now; and in many ways the mass now, or mass perception, represents the overall now-point of your planet. From that now, “time” goes out in all probable directions. Actually it also goes inward in all probable directions.
(Slowly:) The simple picture of the universe that you see on our screen, therefore, represents a view from your own now perspective — but each star, planet, galaxy or whatever is made up of other reference points in which, to put it simply, the same patterns have different kinds of reality. True space travel would of course be time-space travel,5 in which you learned how to use points in your own universe as “dimensional clues” that would serve as entry points into other worlds. Otherwise you are simply flying like an insect around the outside of the television set, trying to light on the fruit, say, that is shown upon the screen — and wondering, like a poor bemused fly, why you cannot. You use one main focus in your reality. In the outside world this means that you have a “clear picture.” (Humorously:) There is no snow! That physical program is the one you are acting in, alive in, and it is the one shown on the screen. The screen is the part of your psyche upon which you are concentrating. You not only tune in the picture but you also create the props, the entire history of the life and times, hyphen — but in living three-dimensional terms, and “you” are within that picture.
[... 4 paragraphs ...]
(10:32.) Currently, physicists have made some important breakthroughs, but they do not recognize their significance. The universe that you know is full of microscopic black holes and white holes,7 for example. Since your scientists have themselves given these labels, then using those terms I will say (with much gentle humor) that there are red, green, orange and purple holes — that is, the so-called black holes and white holes only represent what physicists have so far deduced about the deeper properties of your universe, and the way that certain coordinate points in one world operate, as providing feed-through into another.
[... 13 paragraphs ...]
Now: Ruburt was validly involved in the erection of that building, and he did indeed travel through various dimensions in which the objects in one represented something entirely different in another. He used the particular symbols, however, simply to bring the theory home to him, but it represented the fact that any given object in one dimension has its own reality in another. You cannot move through time and space without altering the focus of your psyche. (Intently:) When you so alter that focus, however, you also change the exterior reality that you then experience.
[... 72 paragraphs ...]