“Seth material” search engine (Jane Roberts)

In a manner of speaking, however, all of the other programs are “latent” in the one you are watching. There are coordinates that unite them all. There is a give-and-take quite invisible to you between one program and another, and action within one, again, affects the action within each of the others.

Like this imaginary multidimensional television, the psyche contains within it other programs than the one in which you are acting — other plots, environments, and world situations. Theoretically you can indeed momentarily “walk out of” your program into another as easily, when you know how, as you now move from one room to another. You must know that the other programs exist or the possibility of such action will not occur to you. In larger terms all of the programs are but portions of one, colon: The various sets are real, however, and the characters quite alive.

(Slowly:) The simple picture of the universe that you see on our screen, therefore, represents a view from your own now perspective — but each star, planet, galaxy or whatever is made up of other reference points in which, to put it simply, the same patterns have different kinds of reality. True space travel would of course be time-space travel,⁵ in which you learned how to use points in your own universe as “dimensional clues” that would serve as entry points into other worlds. Otherwise you are simply flying like an insect around the outside of the television set, trying to light on the fruit, say, that is shown upon the screen — and wondering, like a poor bemused fly, why you cannot. You use one main focus in your reality. In the outside world this means that you have a “clear picture.” (Humorously:) There is no snow! That physical program is the one you are acting in, alive in, and it is the one shown on the screen. The screen is the part of your psyche upon which you are concentrating. You not only tune in the picture but you also create the props, the entire history of the life and times, hyphen — but in living three-dimensional terms, and “you” are within that picture.

(10:18.) Now: If you alter that picture a little so that the images are somewhat scrambled — and you do this by altering the focus of your consciousness — then the familiar coordination is gone. Objects may appear blurred, ordinary sounds distorted. It seems as if you are on the outskirts of your own reality. In such a state, however, it is easy to see that your usual orientation may be but one of many frames of reference. (Pause.) If you did change the focus of your consciousness still further, you might then “bring in” another picture entirely. On the outside this would give you another reality. (Intently:) In it your “old” reality might still be somewhat perceivable as a ghost image,⁶ if you knew what to look for and remembered your former coordinates. On the inside, however, you would be traveling not around or about, but through one portion of the psyche with its reality, into another portion of the psyche with its reality. That kind of journey would not be any more imaginary than a trip from one city to another.

One note along these lines. A plane — and I am using your term; I will try to think of a better one — is not necessarily a planet. A plane may be one planet, but a plane may also exist where no planet is. One planet may have several planes. [...]

[Many of] the flying saucer appearances come from [such] a plane, [one] that is much more advanced in technological sciences than earth at this time. [...] Now, so strong is this tendency for vitality to change from one apparent form to another, that what you have here in your flying object is something that is actually, as you view it, not of your plane or of [whatever] plane of its origin … The atoms and molecules that structurally compose the UFO, and which are themselves formed by vitality, are more or less aligned according to the pattern of its own territory. [...]

[...] A plane, believe it or not, may be only one iota of vitality that seems to exist by itself. [...] A plane is an isolation of elements where each one is given the most possible space in which to function.

[...] It is oftentimes practical that entities or their various personalities visit one plane before another. This does not necessarily mean that one plane must be visited before another. [...]