“Seth material” search engine (Jane Roberts)

(9:50.) We are trying to make an analogy here on two levels, so please bear with me. In terms of your psyche, each of your own thoughts and actions exist not only in the manner with which you are familiar with them, but also in many other forms that you do not perceive, colon: forms that may appear as natural events in a different dimension than your own, as dream images, and even as self-propelling energy. No energy is ever lost. The energy within your own thoughts, then, does not dissipate even when you yourself have finished with them. Their energy has reality in other worlds.³

(10:45. “Man,” Jane said after quickly leaving an excellent dissociated state, “is he going to town. There’s just tons of material there, all ready and waiting….” I could tell that this was the case: Her delivery had reached a steady, quiet yet driving level that she seemed capable of maintaining indefinitely.

Your thoughts, for example, and your intents, have their own validity and force. You set them into motion, but then they follow their own laws and realities. All creativity comes from the psyche. I [recently] suggested a project to Ruburt’s class — one that will ultimately illuminate many of the points I am making in “Unknown” Reality. I suggested that Ruburt’s students create a “city”⁹ at another level of reality. This is not to be a pie-in-the sky sort of thing, or some “heaven” hanging suspended above, but a very valid meeting place between worlds. A psychic marketplace, for example, where ideas are exchanged, a place of psychic commerce, a pleasant environment with quite definite coordinates, established as an “orbiting satellite” on the outskirts of your world.

In certain terms, then, this involves in a very small way the creation and colonization of a different kind of reality — consciously accepted, however, from your perspective. On an unconscious level, the world as you know it expands in just such a fashion.¹⁰ Several students have had dreams involving their participation in such a project. Ruburt found himself in an out-of-body state, looking at a jacket. It had four rectangular pockets. It was giant-sized. As he looked at it the front flap was open. In the dream he flew through this flap literally into another dimension, where the point of the flap was a hill upon which he landed. From that second perspective, the pockets of the jacket in the first perspective became the windows of a building that existed in a still-further, third dimension beyond the hill. Standing on the hill, he knew that in Perspective One the windows of the building in Perspective Three were jacket pockets, but he could no longer perceive them as such. Looking out from the hill in Perspective Two, Perspective One was invisibly behind him, and Perspective Three was still “ahead” of him, separated from him by a gulf he did not understand.

[...] A plane is formed for entities as patterns for fulfillment on various levels. [...]