2 results for (book:ur2 AND session:713 AND stemmed:idea)
Now imagine that the picture on the television screen shows your own universe. Your idea of space travel would be to send a ship from one planet, earth, outward into the rest of space that you perceive on that “flat” screen. Even with your projected technology, this would involve great elements of time. Imagine here, now, that the screen’s picture is off-center to begin with, so that everything is distorted to some extent, and going out into space seems to be going backward into time.
Your thoughts, for example, and your intents, have their own validity and force. You set them into motion, but then they follow their own laws and realities. All creativity comes from the psyche. I [recently] suggested a project to Ruburt’s class — one that will ultimately illuminate many of the points I am making in “Unknown” Reality. I suggested that Ruburt’s students create a “city”9 at another level of reality. This is not to be a pie-in-the sky sort of thing, or some “heaven” hanging suspended above, but a very valid meeting place between worlds. A psychic marketplace, for example, where ideas are exchanged, a place of psychic commerce, a pleasant environment with quite definite coordinates, established as an “orbiting satellite” on the outskirts of your world.
Seth continued the session by expressing his concern lest this kind of material lead to feelings of insignificance on our parts. (In Volume 1 of “Unknown” Reality, see Session 681 at 10:00, with Note 2.) However, in a poem she wrote for me a few years later — at Christmastime 1973 — Jane herself dealt equally well with the idea of simultaneous interactions between realities: