“Seth material” search engine (Jane Roberts)

(Slowly:) The simple picture of the universe that you see on our screen, therefore, represents a view from your own now perspective — but each star, planet, galaxy or whatever is made up of other reference points in which, to put it simply, the same patterns have different kinds of reality. True space travel would of course be time-space travel,⁵ in which you learned how to use points in your own universe as “dimensional clues” that would serve as entry points into other worlds. Otherwise you are simply flying like an insect around the outside of the television set, trying to light on the fruit, say, that is shown upon the screen — and wondering, like a poor bemused fly, why you cannot. You use one main focus in your reality. In the outside world this means that you have a “clear picture.” (Humorously:) There is no snow! That physical program is the one you are acting in, alive in, and it is the one shown on the screen. The screen is the part of your psyche upon which you are concentrating. You not only tune in the picture but you also create the props, the entire history of the life and times, hyphen — but in living three-dimensional terms, and “you” are within that picture.

(10:18.) Now: If you alter that picture a little so that the images are somewhat scrambled — and you do this by altering the focus of your consciousness — then the familiar coordination is gone. Objects may appear blurred, ordinary sounds distorted. It seems as if you are on the outskirts of your own reality. In such a state, however, it is easy to see that your usual orientation may be but one of many frames of reference. (Pause.) If you did change the focus of your consciousness still further, you might then “bring in” another picture entirely. On the outside this would give you another reality. (Intently:) In it your “old” reality might still be somewhat perceivable as a ghost image,⁶ if you knew what to look for and remembered your former coordinates. On the inside, however, you would be traveling not around or about, but through one portion of the psyche with its reality, into another portion of the psyche with its reality. That kind of journey would not be any more imaginary than a trip from one city to another.

(Jane commented here on something I’d also become aware of in recent sessions. For whatever reasons since holding the 709th session, she hasn’t had to wait for that certain, more “difficult” kind of trance to develop before launching into Seth’s book material; see the note at 10:55 for that session. In some fashion she can’t describe, Jane is now able to reach the “right” trance state, or to arrive at it, much more easily. For other contrasting examples, in Volume 1 see the notes closing out sessions 688 and 703, as well as related material in Appendix 4, wherein I wrote about the translation challenges she’s often faced since beginning “Unknown” Reality: “— hence her talk before many of these sessions … about attaining that ‘certain clear focus,’ or ‘the one clearest place in consciousness,’ before she began speaking for Seth.”

Now: Ruburt was validly involved in the erection of that building, and he did indeed travel through various dimensions in which the objects in one represented something entirely different in another. He used the particular symbols, however, simply to bring the theory home to him, but it represented the fact that any given object in one dimension has its own reality in another. You cannot move through time and space without altering the focus of your psyche. (Intently:) When you so alter that focus, however, you also change the exterior reality that you then experience.

Ruburt does not like [some personal aspects] of his plan on the one hand. On the other it was part of his method, a way of intensifying focus, increasing perception in a small area while also ensuring safety, so that inner excursions would be balanced by [conditions in his exterior environment] … He sees that the challenge has been won, and now it is time to take up the next one, to apply the power of the will to certain physical areas.