2 results for (book:ur2 AND session:713 AND stemmed:chang)
Perspective
program
screen
jacket
hat
(10:18.) Now: If you alter that picture a little so that the images are somewhat scrambled — and you do this by altering the focus of your consciousness — then the familiar coordination is gone. Objects may appear blurred, ordinary sounds distorted. It seems as if you are on the outskirts of your own reality. In such a state, however, it is easy to see that your usual orientation may be but one of many frames of reference. (Pause.) If you did change the focus of your consciousness still further, you might then “bring in” another picture entirely. On the outside this would give you another reality. (Intently:) In it your “old” reality might still be somewhat perceivable as a ghost image,6 if you knew what to look for and remembered your former coordinates. On the inside, however, you would be traveling not around or about, but through one portion of the psyche with its reality, into another portion of the psyche with its reality. That kind of journey would not be any more imaginary than a trip from one city to another.
Give us time … When you change your ordinary television set from one station to another you may encounter snow or distortion. If something is wrong with the set you may simply tune in patterns that seem meaningless and carry no particular program. You may have sound without a picture, and sometimes even a picture but sound from another program. So when you begin to experiment with states of altered consciousness you often run into the same kind of phenomena, when nothing seems to make sense.
When he approached the hill in Perspective Two, he spoke to the contractor who was there before him. Ruburt said that he wanted to change the design. The contractor agreed, and shouted orders to people who were working in Perspective Three, where the building stood.
Now: Ruburt was validly involved in the erection of that building, and he did indeed travel through various dimensions in which the objects in one represented something entirely different in another. He used the particular symbols, however, simply to bring the theory home to him, but it represented the fact that any given object in one dimension has its own reality in another. You cannot move through time and space without altering the focus of your psyche. (Intently:) When you so alter that focus, however, you also change the exterior reality that you then experience.
plane
saucer
science
craft
flying
[...] Now, so strong is this tendency for vitality to change from one apparent form to another, that what you have here in your flying object is something that is actually, as you view it, not of your plane or of [whatever] plane of its origin … The atoms and molecules that structurally compose the UFO, and which are themselves formed by vitality, are more or less aligned according to the pattern of its own territory. [...]