“Seth material” search engine (Jane Roberts)

(Those circumstances might have acted as a leavening factor in the early years, perhaps to a mild degree helping determine the direction of some of Jane’s psychic explorations, with and without Seth. Much more important is that she’s always wanted to do her own thing. Besides, how would she ask advice from another about such an individual, intuitive quality as, say, the next step to take in her psychic growth? These notes make her quest appear to be much simpler than it actually was — and is.²

Like this imaginary multidimensional television, the psyche contains within it other programs than the one in which you are acting — other plots, environments, and world situations. Theoretically you can indeed momentarily “walk out of” your program into another as easily, when you know how, as you now move from one room to another. You must know that the other programs exist or the possibility of such action will not occur to you. In larger terms all of the programs are but portions of one, colon: The various sets are real, however, and the characters quite alive.

Think again of the psyche in the manner mentioned, taking it for granted that the program now on the screen is a fully dimensioned reality, and that hidden somehow in its very elements are all of the other programs not showing. These are not lined up in space behind the “front” program, but in a completely different way contained within it. The point of any image at any given time in the picture showing might represent, for example, a top hat on a table. Everyone acting in that scene would view the hat and the table, and react accordingly with their own individual characteristics.

(Slowly:) The simple picture of the universe that you see on our screen, therefore, represents a view from your own now perspective — but each star, planet, galaxy or whatever is made up of other reference points in which, to put it simply, the same patterns have different kinds of reality. True space travel would of course be time-space travel,⁵ in which you learned how to use points in your own universe as “dimensional clues” that would serve as entry points into other worlds. Otherwise you are simply flying like an insect around the outside of the television set, trying to light on the fruit, say, that is shown upon the screen — and wondering, like a poor bemused fly, why you cannot. You use one main focus in your reality. In the outside world this means that you have a “clear picture.” (Humorously:) There is no snow! That physical program is the one you are acting in, alive in, and it is the one shown on the screen. The screen is the part of your psyche upon which you are concentrating. You not only tune in the picture but you also create the props, the entire history of the life and times, hyphen — but in living three-dimensional terms, and “you” are within that picture.