“Seth material” search engine (Jane Roberts)

Give us a moment … The hat on the table, while possessing all of the necessary paraphernalia of reality for that scene, might also, however, serve as a different kind of reference point for one of the other programs simultaneously occurring. In that reality, say program two, the entire configuration of hat and table may be meaningless, while still being interpreted in an entirely different way from a quite different perspective. There in program two the table might be a flat natural plain, and the hat an oddly shaped structure upon it — a natural rather than a manufactured one. Objects in your reality have an entirely different aspect in another. Any of the objects shown in the program you are watching, then, may be used as a different kind of reference point in another reality, in which those objects appear as something else.

(9:50.) We are trying to make an analogy here on two levels, so please bear with me. In terms of your psyche, each of your own thoughts and actions exist not only in the manner with which you are familiar with them, but also in many other forms that you do not perceive, colon: forms that may appear as natural events in a different dimension than your own, as dream images, and even as self-propelling energy. No energy is ever lost. The energy within your own thoughts, then, does not dissipate even when you yourself have finished with them. Their energy has reality in other worlds.³

In certain terms, then, this involves in a very small way the creation and colonization of a different kind of reality — consciously accepted, however, from your perspective. On an unconscious level, the world as you know it expands in just such a fashion.¹⁰ Several students have had dreams involving their participation in such a project. Ruburt found himself in an out-of-body state, looking at a jacket. It had four rectangular pockets. It was giant-sized. As he looked at it the front flap was open. In the dream he flew through this flap literally into another dimension, where the point of the flap was a hill upon which he landed. From that second perspective, the pockets of the jacket in the first perspective became the windows of a building that existed in a still-further, third dimension beyond the hill. Standing on the hill, he knew that in Perspective One the windows of the building in Perspective Three were jacket pockets, but he could no longer perceive them as such. Looking out from the hill in Perspective Two, Perspective One was invisibly behind him, and Perspective Three was still “ahead” of him, separated from him by a gulf he did not understand.

When he approached the hill in Perspective Two, he spoke to the contractor who was there before him. Ruburt said that he wanted to change the design. The contractor agreed, and shouted orders to people who were working in Perspective Three, where the building stood.

[...] Occasionally he’ll mention them in connection with another subject; as an example, see the two paragraphs about “saucers” and the pulsating nature of atoms and molecules in the ESP class session for January 12, 1971, in the Appendix of Seth Speaks.