“Seth material” search engine (Jane Roberts)

(10:35. Jane paused briefly, her eyes closed. Suddenly her voice became high-pitched and, at first, quite incomprehensible to me because of the rapidity of her speech. The effect was remarkably like that of a tape recording played too fast: Her voice went way up the scale, issuing from stiffly held lips. After a few moments I began to understand her:) “— on another level this is completely unintelligible — at another level the pieces are completely unintelligible —”

(She repeated variations of this idea again and again, which gave me time to write down some of them. Her speech was as fast as it could be while remaining at all explicit. Then at a bit slower rate:) “All of these are aspects of one reality … Atoms are sound. You do not hear them….”

(10:38. Jane slumped in her rocker, eyes closed. She had trouble getting them open. She remembered giving the variations on the sounds and methods of speech. She told me that “something” wanted to manifest through her so slowly that it was almost inexpressible; she’d felt deep rolling sounds going through her, yearning to be translated, yearning to make sense in our terms. “It would have taken me three hours to do it right.” The slow material simply came out that way when she tried to express it. She couldn’t really understand what “they” wanted her to do, if anything.

One part of Ruburt accepted the “slow” [or “long”] perceptions, while another part quickened them into something like normal speech patterns. [...]