“Seth material” search engine (Jane Roberts)

(11:12.) “As mentioned, sound is connected here also, and each one of these phenomena has consciousness that does express itself, and is aware of the stages through which it passes. In certain terms, dead holes connect past and present; also future. In practical terms, they have to do with the seeming permanence of an object. They are the invisible portions of the atom. There are giant-sized atoms, as well as the ones you’re familiar with.”

(11:19.) “I was getting images through the whole thing. (Jane rested briefly.) I was trying to explain what they meant. It’s something when you don’t know what you’re trying to say…. (She described the images to some extent — delineating stars, a series of circles, condensing matter, imploding galaxies and other such effects — but they didn’t mean as much to me as her material in the session itself.) I just got tired receiving the stuff. That was really a workout. There’s a lot more there to be had, too….” (She likened her dissertation to the way she often gets impressions concerning people; the information “just comes,” and she recites it.

[...] I made a verbatim record of her first encounter with slow, or long, sound in the 612th session for September 6, 1972, just about a year after she’d finished Seth Speaks. Since the material in that session wasn’t covered in Personal Reality or Adventures, we’re publishing most of it as an appendix for this volume.* Not only will it illuminate these notes; it will also link, if loosely, Seth’s reality, Seth Two, and some other “rapid” effects. [...]