“Seth material” search engine (Jane Roberts)

(10:38. Jane slumped in her rocker, eyes closed. She had trouble getting them open. She remembered giving the variations on the sounds and methods of speech. She told me that “something” wanted to manifest through her so slowly that it was almost inexpressible; she’d felt deep rolling sounds going through her, yearning to be translated, yearning to make sense in our terms. “It would have taken me three hours to do it right.” The slow material simply came out that way when she tried to express it. She couldn’t really understand what “they” wanted her to do, if anything.

10. Sound, and various symbolic attributes of that phenomenon, are uniting factors in back of much of Seth-Jane’s material, and I could list many instances. I’m not referring here only to “outside” developments like Jane’s powerful Seth voice, her speaking and singing in Sumari, or her slow and fast sounds as produced for this session, but to inner, audible and inaudible manifestations or translations of sound.

[...] You think of it as an exteriorized manifestation, expanding perhaps, but in an exterior rather than an interior fashion.¹