“Seth material” search engine (Jane Roberts)

When our Wilford dramatically cries out to his mistress: “I am afraid my wife will learn of our affair,” then the symphony playing on another station becomes melodramatic, and the sports program shows that a hero fumbles the football. Yet each character has its own free will. The football player, unconsciously picking up the grocer’s problem, for example, may use it as a challenge and say: “No, I will not fumble the ball.” The crowds then cheer, and our grocer in his soap opera may smile and say: “But it will all work out after all.”

Now: Dictation: Still using the same analogy. As he falls asleep some night our grocer, Wilford, might suddenly hear the full strains of a symphony in his head, or instead catch a quick glimpse of a football player; or on the other hand one of the musicians in the symphony orchestra may suddenly find himself thinking about how difficult it would be to have a mistress and a wife at the same time.

From the point of view of the perceiver these would be unofficial events, and yet they could serve as important clues to the nature of reality. The separate programs existing at once each have their own schedules, and from your reality you could not play them all at once. It seems to you that you are outside of the psyche, so you think of someone as yourself operating this radio from that external position. From your point of view you could not pick up the grocer’s escapades and the symphony, for instance, if both came through at 8 o’clock in the evening, without switching from one to the other: You would have to choose which program you wanted.