4 results for (book:ur2 AND session:711 AND stemmed:play)
For some of you the city will have a theater. For some of you it will not. For those of you who like theater, it will be like none you have ever seen. In it the actors and actresses will take the parts of beliefs — of fleshed beliefs — and the morality play, so to speak, will deal with the nature of beliefs and how they are enacted through the centuries as well as through the hours. That theater then will serve many purposes, even as each of you are exquisite performers, and have chosen the roles and beliefs that you have taken….
Now there are books programming out-of-body activity; millions of you are told that when you leave your body you will meet this demon or that demon, or this or that angry god. So, instead, we will form a free city to which those travelers can come, and where those who enter can read books about Buddhism if they prefer, or play at being Catholic. There will also be certain beloved traps set about the city, that will be of an enlightening nature … Now listen: You think there is nothing intrinsically impossible about building a platform in [your] space … I am suggesting, then, a platform in inner reality. It is as valid — far more valid — as an orbiting city in the sky, in physical terms, and it challenges your creative abilities much more. You need a good challenge — it is fun! Not because you should do it, but because you desire it … It is a great creative challenge that you can throw down to yourselves from your future selves.
(In answer to a question from a student:) A beloved trap is one that you set for yourself. And so our city will be full of them. When you are tired of playing a Catholic priest, for example, you will fall into your own trap — in which your beliefs [as such a one] are suddenly worked out to their logical perfection, and you see what they mean.
When our Wilford dramatically cries out to his mistress: “I am afraid my wife will learn of our affair,” then the symphony playing on another station becomes melodramatic, and the sports program shows that a hero fumbles the football. [...]
[...] The separate programs existing at once each have their own schedules, and from your reality you could not play them all at once. [...]
[...] As I have said, feeling is action, and in my communications to you feeling plays a strong part.
Now, I can be playful because I am not as serious and mystical as the rest of you. [...]
[...] He seems to be in awe, relatively speaking, of your simplified “perfectionist” detailed ways, while to a certain extent you seem to be equally awed by his inspired, undetailed ways — a game each of you plays.