2 results for (book:ur2 AND session:711 AND stemmed:order)
station
programs
psyche
grocer
characters
If an inhabitant from another reality outside of your own physical system entirely were to visit it, and if “his” intelligence was roughly of the same degree as your own, he would still have to learn to focus his consciousness in the same way that you do, more or less, in order to perceive your world. He would have to alter his native focus and turn it in a direction that was foreign to him. In this way he could “pick up your station.”1 There would be distortions, because even though he managed such manipulations he might not have the same kind of native physical structure as your own, of course, through which to receive and interpret those data his altered consciousness perceived.
New paragraph. While all of your own thoughts and feelings are “somewhere” materialized, only some of them become physical in your terms. They are then accepted as physical reality. They provide the basis for the physical events, objects, and phenomena upon which you all agree. Therefore your world has a stability that you accept, a certain order and predictability3 that works well enough for daily concerns. At that point you are tuned in precisely on your “home station.” You ignore the ghost symbols or voices, the probable actions that also occur, but that are muffled in the clear tones of your accepted reality. When you begin to travel away from that home station, you become more aware of the other frequencies4 that are buried within it. You move through other frequencies, but to do this you must alter your own consciousness.*
In greater terms you are a part of the same “set,” and at another level someone sees you as a character in a living room turning on a television set. Intrinsically the psyche, the private psyche, contains all such programs and realities. Certain portions of it, however, choose to take different focuses in order to bring those aspects in more clearly.
appendix
Jung
excerpts
animus
particles
(I finally decided that the best way to present the variety of material desired, whether from Seth, Jane, or myself, was in chronological order, letting a composite picture emerge as the work progresses. [...]
[...] In order for there to be communication between us I must disentangle a concept from its pattern, which is somewhat difficult. [...]
[...] His conscious and unconscious mind had to be acquainted with certain ideas to begin with, in order for the complexity of this material to come through.
[...] I speak as literally as possible, but in order that any information may appear within your three-dimensional system, translations of it [through Ruburt] are automatically necessary or you would not perceive it.