4 results for (book:ur2 AND session:711 AND stemmed:creativ)

UR2 Appendix 16: (For Session 711) sidewalks city theater traps beloved

Now there are books programming out-of-body activity; millions of you are told that when you leave your body you will meet this demon or that demon, or this or that angry god. So, instead, we will form a free city to which those travelers can come, and where those who enter can read books about Buddhism if they prefer, or play at being Catholic. There will also be certain beloved traps set about the city, that will be of an enlightening nature … Now listen: You think there is nothing intrinsically impossible about building a platform in [your] space … I am suggesting, then, a platform in inner reality. It is as valid — far more valid — as an orbiting city in the sky, in physical terms, and it challenges your creative abilities much more. You need a good challenge — it is fun! Not because you should do it, but because you desire it … It is a great creative challenge that you can throw down to yourselves from your future selves.

I speak to you of other theoretical realities. I challenge you now to be as creative in another reality as you are in this one. And if it seems to you, because of your beliefs, that you are limited here, then I joyfully challenge each of you to create a city, an environment, and perhaps a world, in which no such limitations occur. What kind of world would you create?

1. “You can colonize an entire inner level of reality,” Seth told that October 1st class. “To do so, you must give your best with dedication and joyful creativity. This will not be an imaginary city. It will have a greater reality than any physical city that you know, and it can, in its own way, shine with brighter lights in inner reality than any nighttime city displays. There, I hope, you will work at developing skills, in terms of the dream-art scientist (for instance; see Session 700 in Volume 1 of ‘Unknown’ Reality), and learn other professions than the ones you now know.”

UR2 Appendix 17: (For Session 711) beta waves brain theta eeg

[...] Very simply, delta brain waves are connected with dreamless sleep, theta with creativity and dreams, alpha with a relaxed alertness and changing consciousness; beta — the fastest — with concentration, and with an intense focus upon all of the challenges [and anxieties and stresses, many would say] faced in the ordinary daily world.

(We read that in ordinary terms highly creative people [like Jane] usually generate large amounts of theta and low-alpha waves pretty constantly while doing their thing. [...]

A kind of inverted beta pattern, difficult to describe, often appears suddenly in the midst of the other ranges, driving through them, accelerating consciousness to a high degree of creativity. [...]

[...] Here, in a highly creative, disciplined, and yet spontaneous performance, a situation is set up in which knowledge is obtained from the known frequencies, combined so that consciousness can use itself more fully, reaching into many areas closed to one range of consciousness alone. [...]

UR2 Section 4: Session 711 October 9, 1974 station programs psyche grocer characters

[...] There is a constant, creative give-and-take between the day’s various programs. [...]

In other words, there is in the psyche constant interaction between all of the stations, and marvelous, literally unlimited creativity — in which, in your terms, all actions in one station affect all others in the other stations.

[...] The private psyche is ever creative, actually — expansive and literally without beginning or end.

UR2 Appendix 18: (For Session 711) appendix Jung excerpts animus particles

[...] She was certain, she wrote, that far more than Seth’s being a spirit guide was involved, that “in larger terms the abilities of living personality are connected with … other facets of creative consciousness.”

[...] At times the creative pace grew even more complicated: From March to July 1972, she put Adventures aside completely to write her novel, The Education of Oversoul Seven, when that idea spontaneously came to her. [...]

[...] As Jane wrote, she realized that the questions she had been struggling with in Adventures had triggered a new psychology, a new way of approaching the creative portions of human personality.

(From the ESP class session for January 7, 1975:) Ruburt can do many things that surprise me — that I did not do in my past, for remember that fresh creativity emerges from the past also, as in Ruburt’s novel, Oversoul Seven.29