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(We did have a few “deleted” sessions for ourselves. Jane also kept her ESP class going, and within that spontaneous format she often spoke for Seth, or sang in Sumari,1 her trance language. The break in book dictation gave me time to begin attending class regularly, and I plan to continue doing so. And when I began sitting in on class, I discovered anew that its loose structure served as a catalyst for certain little psychic events that I find most enjoyable: Tuesday night is class night, and often such an experience takes place as I rest for half an hour late that afternoon. I record each episode [no matter when I have it]. Sometimes I make a drawing also, and use that to supplement my description of the event in class.
(Following the conference with her editor late in June, Jane has devoted herself to finishing her manuscript for Adventures, while I’ve worked steadily on the diagrams for it, as well as on the drawings for Dialogues. I completed the detailed pencil guides for both sets of art this week. Next comes the finished work for publication, which I’ll produce by placing a sheet of clear acetate over each guide, then rendering on that untouched surface the final version in “line,” or pen and ink. This is my own system; the acetate, riding above the penciled outlines, leaves me free to search for various spontaneous effects that are quite inhibited if I try to follow those preliminary images too literally. Then in late August, long before I had the 16 diagrams [plus two other pieces of art] done for Adventures, I mailed to Prentice-Hall Jane’s completed manuscript for that book. Adventures is scheduled for publication in mid-1975, but I’ll continue referring to it in these notes.
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