“Seth material” search engine (Jane Roberts)

Let me quickly recap a few more facts about the production of this work. Seth himself always referred to “Unknown” Reality as one unit until we reached the last session. He divided the manuscript into six sections of varying lengths. There are no chapters per se. As Seth explained in the 743rd session: “This book had no chapters [in order] to further disrupt your accepted notions of what a book should be. There are different kinds of organization present, however, and in any given section of the book, several levels of consciousness are appealed to at once.”

Seth also presented the entire work in such a way that the events of our daily lives were intimately connected with his material, serving as personal examples of how his theories actually work in everyday experience. He hadn’t been delivering “Unknown” Reality for long, then, before I realized that I’d have to devise a system of presentation that would handle his material, my own notes (which I could see were going to be considerably longer than they are in Seth’s other books, Seth Speaks and The Nature of Personal Reality), excerpts from Jane’s ESP classes, appendixes, and anything else that might be included.

The accumulated material further added to the length of the work, which was considerable. Finally we chose to divide “Unknown” Reality into two volumes. This meant that our readers could have access to part of the manuscript while I was preparing the rest. Seth agreed with our decision.

Where do the events of our lives begin or end? Where do we fit into them, individually and as members of the species? These questions, with Seth’s explanations, are the heart of Volume 1. Because “Unknown” Reality is organized along intuitive rather than consecutive lines, though, it’s difficult to provide a brief résumé. Jane probably described Volume 1 as simply as possible, however, when she said: “Volume 1 provides the general background and information upon which the exercises and methods in Volume 2 depend.” I quoted that statement in Volume 1’s Epilogue, and now, after finishing my own work on the entire manuscript, I realize how truly apropos it is.

To me, some of the most important material in Volume 1 is Jane’s information on her sensing of other neurological pulses as they’re connected with probable events, and how she picked up those pulses by bypassing her direct, or ordinary neurological impact. See her work in appendixes 4 and 5. Seth also discussed such neurological changeovers in Session 685, among others. I think this kind of material offers a rich source for future scientific investigation.

“In Seth Speaks I tried to describe certain extensions of your own reality in terms that my readers could understand. In The Nature of Personal Reality, I tried to extend the boundaries of individual existence as it is usually experienced … to give the reader hints that would increase practical, spiritual and physical enjoyment and fulfillment in daily life. Those books were dictated by me in a more or less straight narrative style. In ‘Unknown’ Reality I went further, showing how the experiences of the psyche splash outward into the daylight, so to speak. I hope that [in those two books] through my dictation and through Ruburt’s and Joseph’s experiences, the reader can see the greater dimensions that touch ordinary living, and sense the psyche’s greater magic. ‘Unknown’ Reality required much more work on Joseph’s part, and that additional effort in itself was a demonstration that the psyche’s events are very difficult to pin down in time. Seemingly its action goes out in all directions…. As Joseph did his notes, it became apparent that some events … seemed to have no beginning or end.”

Later in these notes I plan to return to Seth’s point about the psyche’s events and time. In any case, I finished preparing Volume 1 for publication in January 1977, and it appeared in print later that year. We were delighted that the public could take advantage of part of the material while I made the second volume ready. The days and weeks I spent working on my notes for Volume 2 began to pile up into months, however, and I became more and more concerned.

It seemed that I should have finished my part of both books long ago, even though simultaneously I was working on several other projects with Jane, as well as painting a few hours a day. Finally, the disparity between the time Seth-Jane had spent producing Volume 1 alone (around 45 hours), and my own commitment in ordinary time, became so great in my mind as to be almost overwhelming.

I also felt that the chronology of presentation for both Seth’s and Jane’s books was being distorted: Because I was so slow in finishing my work on Volume 2 of “Unknown” Reality, Jane published her Psychic Politics first, for example, when the reverse order should have prevailed. After all, I told myself innumerable times, these were Seth’s and Jane’s books, not mine. I wasn’t hesitant about recognizing my own role in helping Jane’s psychic abilities show themselves in a consistent way (as, say, in intuitively devising the session format for the presentation of the Seth material). But that recognition didn’t make me feel any better.

Jane insisted that the notes were important, as a constant reminder to the reader that psychic or inner events happen in the context of daily life. Sometimes I thought she was simply being kind in so reassuring me. Seth too agreed that the notes, appendixes, and other additions were pertinent. He also stressed that our plan to divide the work was intuitively correct, and based on legitimate inner knowledge. This cheered me considerably, of course. (However, the decision to publish in two volumes, made when “Unknown” Reality was almost finished, caused me to rewrite most of my original notes for it with that new presentation in mind.)

It seemed that each time I searched through all of those unpublished sessions (covering well over a decade) for just the right supplementary material, I found something new. More often than not, this made me redo my own notes in unanticipated ways — always a creative challenge that was most enjoyable, and yet, paradoxically, one that at times was very frustrating. Such episodes often caused me to take much longer to produce finished work. I learned a patience that I hadn’t suspected was possible for me. For this patience, employed in conjuring up thoughts and images through words, was objectively and subjectively quite different in quality from that which I was so used to using in producing painted images. I could feel my mind and abilities, using either words or pictures, stretch as a result.

I used that information of Seth’s many times while working with “Unknown” Reality. Even so, I learned that on such a long-term project it’s easy to lose that acute sense of what one really wants to do and show — but I also learned how to constantly renew my focus. This presented me with what seemed like an endless series of challenges, yet I discovered again and again that I enjoyed them: Each time I sat down to work, whether on the most routine short note or the most complicated appendix, I searched for that particular, personal sense of intense concentration on the matter at hand. And each time I achieved it I experienced once more that complete inner and outer, mental and physical, involvement in which time was often significantly negated. These were actual, felt episodes during which I rose above those frustrations mentioned earlier. (I’ve often wondered how much one’s ordinary bodily aging processes are either slowed or superseded during such periods of great focus.)

Now, Jane and I also see much more clearly how our respective characteristics contribute to our joint work. Without Jane’s psychic ability and spontaneity there would be no Seth sessions or books, as I tell her often. Then she tells me that without my persistence and diligence, the Seth material might not have been recorded or correlated, or might exist in a different form entirely. I wonder.

In my notes introducing Volume 1, I wrote about placing the basic “artistic ideas” embodied in the Seth material at our conscious, aesthetic, and practical service in daily life. That’s really what Seth’s work is all about, in my opinion. Such an endeavor essentially involves the pursuit of an ideal, and represents our attempts to give physical and mental shape to the great inner, creative commotion of the universe that each person intuitively feels. Of course Jane and I want Seth’s ideas and our own to touch responsive reflexes within others; then each individual can use the material in his or her own expression of that useful ideal, letting it serve to stimulate inner perceptions.

Still, her work has met with a great deal of understanding from many people, if hardly from everyone who’s heard of it. It’s interesting to ask how even extensive accepted credentials would help her respond to the extremes of feeling with which she and Seth are sometimes greeted: the outright rejection or the sheer adulation — or the threats she receives on occasion from those who say they’ll commit suicide if Seth doesn’t come through with a session for them immediately.

In important ways, Jane’s work is outside of society’s accepted frameworks — scientific, “occult,” philosophical, or whatever. Not that we dwell upon that comparative isolation much, but we are aware of it. And I know that Jane sometimes misses the kind of camaraderie enjoyed by professionals who fit more comfortably into accepted structures. Actually, though, we consider many of our correspondents as friends, even though we never meet most of them, and despite the fact that Jane can only reply to their cheering communications with Seth’s dictated letter (as well as our own), or with notes scribbled quickly on postcards. We’ve become quite aware of that kind of support, for which we’re very grateful. Many such people are somewhat like us — refusing to accept any kind of dogma.

But some others, according to Seth, are uneasy with Jane’s mental independence. In a personal session given for us in 1977, he said: “Some [people] do not want my authority questioned. (Humorously:) They think that if they had their own Supersoul, they would have far better sense than Ruburt; and they would use me as if I were a magic genie. They are afraid that Ruburt might question me out of existence….” He went on to say that such individuals didn’t understand that Jane’s questioning nature fired the sessions’ onset to begin with, and is somewhat responsible for the production of his work and books, as well as her own.

“In your mind you creatively envision the ideal — the sanity of some future culture that, you hope, our work and [that of] others will bring about. If not tomorrow, then sometime.

The appendix idea worked out well in The Seth Material and in Seth Speaks, and in both volumes of “Unknown” Reality each excerpt or session in an appendix, with whatever notes it might carry, is usually fairly complete in itself. These pieces can be read at any time, but I’d rather the reader went over each one when it’s first mentioned in a footnote; just as he or she ought to check out all other reference material in order throughout both volumes. I think it especially informative to compare Jane’s Psychic Politics with Volume 2 of “Unknown” Reality, for she produced large sections of both works concurrently; there are many interesting exchanges of viewpoint between the two.