“Seth material” search engine (Jane Roberts)

As Seth continued dictation I was fired by his purpose to make the unknown elements of human life at least partially visible — an audacious goal, I thought — and I tried to do my part in recording all such disclosures as they appeared in our lives and were reflected in the experiences of our friends and students.

The first volume, like this one, defies easy description, then, since it leaps over many definitions we usually take for granted; and with its lack of chapter divisions it even confounds our ideas of what a book is. Yet it certainly contains a most intriguing, multidimensional view of the nature of probabilities, a view in which our ideas of a “simple, single event” must vanish; at least we can never again look at any event as being concrete, finished, or absolute. Seth stresses the importance of probabilities as they exist in relationship to a thought, an ordinary physical event, or the mass event of Homo sapiens as a species, and emphasizes the existence of probable realities as the understructure of free will.

Jane insisted that the notes were important, as a constant reminder to the reader that psychic or inner events happen in the context of daily life. Sometimes I thought she was simply being kind in so reassuring me. Seth too agreed that the notes, appendixes, and other additions were pertinent. He also stressed that our plan to divide the work was intuitively correct, and based on legitimate inner knowledge. This cheered me considerably, of course. (However, the decision to publish in two volumes, made when “Unknown” Reality was almost finished, caused me to rewrite most of my original notes for it with that new presentation in mind.)

It seemed that each time I searched through all of those unpublished sessions (covering well over a decade) for just the right supplementary material, I found something new. More often than not, this made me redo my own notes in unanticipated ways — always a creative challenge that was most enjoyable, and yet, paradoxically, one that at times was very frustrating. Such episodes often caused me to take much longer to produce finished work. I learned a patience that I hadn’t suspected was possible for me. For this patience, employed in conjuring up thoughts and images through words, was objectively and subjectively quite different in quality from that which I was so used to using in producing painted images. I could feel my mind and abilities, using either words or pictures, stretch as a result.