“Seth material” search engine (Jane Roberts)

Seth often advances his ideas by weaving together several themes into a complex pattern in any given session, or throughout a body of material. This process can also result in a similar approach on my part when I discuss his dictation, so I’ll initiate a summary of Volume 1 by using four sources presented by Seth himself: a key passage from his Preface; the headings he gave for the three sections that comprise Volume 1, along with a few elaborations of my own; a brief description of the appendixes which I assembled over a period of time; and a passage from the 762nd session, in which, eight months after he’d finished “Unknown” Reality, Seth speaks further about his purposes in producing it.

The first volume, like this one, defies easy description, then, since it leaps over many definitions we usually take for granted; and with its lack of chapter divisions it even confounds our ideas of what a book is. Yet it certainly contains a most intriguing, multidimensional view of the nature of probabilities, a view in which our ideas of a “simple, single event” must vanish; at least we can never again look at any event as being concrete, finished, or absolute. Seth stresses the importance of probabilities as they exist in relationship to a thought, an ordinary physical event, or the mass event of Homo sapiens as a species, and emphasizes the existence of probable realities as the understructure of free will.

It seemed that each time I searched through all of those unpublished sessions (covering well over a decade) for just the right supplementary material, I found something new. More often than not, this made me redo my own notes in unanticipated ways — always a creative challenge that was most enjoyable, and yet, paradoxically, one that at times was very frustrating. Such episodes often caused me to take much longer to produce finished work. I learned a patience that I hadn’t suspected was possible for me. For this patience, employed in conjuring up thoughts and images through words, was objectively and subjectively quite different in quality from that which I was so used to using in producing painted images. I could feel my mind and abilities, using either words or pictures, stretch as a result.

The appendix idea worked out well in The Seth Material and in Seth Speaks, and in both volumes of “Unknown” Reality each excerpt or session in an appendix, with whatever notes it might carry, is usually fairly complete in itself. These pieces can be read at any time, but I’d rather the reader went over each one when it’s first mentioned in a footnote; just as he or she ought to check out all other reference material in order throughout both volumes. I think it especially informative to compare Jane’s Psychic Politics with Volume 2 of “Unknown” Reality, for she produced large sections of both works concurrently; there are many interesting exchanges of viewpoint between the two.