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UR2 Introductory Notes by Robert F. Butts 5/59 (8%) Volume Unknown reader ideal sections
– The "Unknown" Reality: Volume Two
– © 2012 Laurel Davies-Butts
– Introductory Notes by Robert F. Butts

[... 26 paragraphs ...]

It seemed that I should have finished my part of both books long ago, even though simultaneously I was working on several other projects with Jane, as well as painting a few hours a day. Finally, the disparity between the time Seth-Jane had spent producing Volume 1 alone (around 45 hours), and my own commitment in ordinary time, became so great in my mind as to be almost overwhelming.

[... 1 paragraph ...]

Jane insisted that the notes were important, as a constant reminder to the reader that psychic or inner events happen in the context of daily life. Sometimes I thought she was simply being kind in so reassuring me. Seth too agreed that the notes, appendixes, and other additions were pertinent. He also stressed that our plan to divide the work was intuitively correct, and based on legitimate inner knowledge. This cheered me considerably, of course. (However, the decision to publish in two volumes, made when “Unknown” Reality was almost finished, caused me to rewrite most of my original notes for it with that new presentation in mind.)

[... 1 paragraph ...]

It seemed that each time I searched through all of those unpublished sessions (covering well over a decade) for just the right supplementary material, I found something new. More often than not, this made me redo my own notes in unanticipated ways — always a creative challenge that was most enjoyable, and yet, paradoxically, one that at times was very frustrating. Such episodes often caused me to take much longer to produce finished work. I learned a patience that I hadn’t suspected was possible for me. For this patience, employed in conjuring up thoughts and images through words, was objectively and subjectively quite different in quality from that which I was so used to using in producing painted images. I could feel my mind and abilities, using either words or pictures, stretch as a result.

[... 2 paragraphs ...]

“The model for them and your notes already exists within your mind. Scan any paragraph of your notes, then turn your mind gently a half notch aside. As you do so you will be able to sense your own completed version, and any word that does not fit will be instantly sensed, while another will at once slip to mind.

[... 16 paragraphs ...]

“In your mind you creatively envision the ideal — the sanity of some future culture that, you hope, our work and [that of] others will bring about. If not tomorrow, then sometime.

[... 7 paragraphs ...]

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