“Seth material” search engine (Jane Roberts)

In my notes introducing Volume 1, I wrote about placing the basic “artistic ideas” embodied in the Seth material at our conscious, aesthetic, and practical service in daily life. That’s really what Seth’s work is all about, in my opinion. Such an endeavor essentially involves the pursuit of an ideal, and represents our attempts to give physical and mental shape to the great inner, creative commotion of the universe that each person intuitively feels. Of course Jane and I want Seth’s ideas and our own to touch responsive reflexes within others; then each individual can use the material in his or her own expression of that useful ideal, letting it serve to stimulate inner perceptions.

Certainly Seth is saying that Jane’s books (and his) represent her acknowledgment of and search for an ideal. So do my own efforts in life. (See Seth’s material on “ideals set in the heart of man” in sessions 696–97 for Volume 1 of “Unknown” Reality.) Apropos of such concepts, I’ll close these introductory notes by quoting from a personal session Seth gave for Jane and me, in which he reiterates the importance of the individual and the pursuit of the ideal. Seth initiated the following passages by talking to me about “the safe universe” that each person can create, and live within. Although his words were directed to me, they have a broad general application:

“In your mind you creatively envision the ideal — the sanity of some future culture that, you hope, our work and [that of] others will bring about. If not tomorrow, then sometime.

“When you thoroughly understand what is meant by the entire safe-universe concept, then the physical, cultural climate is seen as a medium through which the ideal can be expressed. The ideal is meaningless if it is not physically manifest to one degree or another. The ideal seeks expression. In so doing, it often seems to change or alter in ways that are not understood. Yet those distortions may be the very openings that allow others to perceive.

“In a way, with [this] book and with your art, your purpose is the expression of the ideal, and that expression must be physically materialized, obviously. Your joy, your challenge, should be in the manifestation of the ideal as you see it, whether or not you can in your terms count the consequences or the impediments — whether or not the expression comes to fulfillment in your terms — and even if it seems to fall on ground on which it will not grow.

“As an artist alone your purpose is expression, which involves disclosures, the difference between the ideal and the actual. Be reckless in the expression of the ideal, and it will never betray you. Treat it with kid gloves and you are in the middle of a battle.”