1 result for (book:ur1 AND session:701 AND stemmed:jane)

UR1 Section 3: Session 701 June 3, 1974 7/49 (14%) Einstein physicist diagrams theories destroying
– The "Unknown" Reality: Volume One
– © 2012 Laurel Davies-Butts
– Section 3: The Private Probable Man, The Private Probable Woman, The Species in Probabilities, And Blueprints for Realities
– Session 701: The True Mental Physicist. Animals and Science. Practice Element 8
– Session 701 June 3, 1974 9:17 P.M. Monday

[... 1 paragraph ...]

(I finished typing last Wednesday night’s session after supper this evening; in fact, Jane just had time to read it before we sat for this one at 8:50.

[... 9 paragraphs ...]

(Pause at 9:40. Jane’s voice had very gradually increased to a near-normal volume.)

[... 12 paragraphs ...]

(“No,” I said, although I was feeling the pace a bit. But Jane was doing well.)

[... 10 paragraphs ...]

(10:56. With hardly a pause, Seth-Jane switched over to some material for me; the session ended at 11:16 P.M. Jane’s trances had been excellent throughout the evening.)

[... 1 paragraph ...]

1. Today Jane had been looking at Einstein’s own book on his theories of relativity. (Relativity, The Special and the General Theory, Tr. by Robert W. Lawson, © 1961 by the Estate of Albert Einstein, Crown Publishers, Inc., New York, N.Y.) She soon laid it aside, telling me that she couldn’t understand much of it except by making a strong effort of will. The mathematics it contained were beyond her entirely. I had ordered the book last month after she expressed interest in seeing it. Einstein died in 1955 at the age of 76.

[... 1 paragraph ...]

3. A note added five months later: For some of Seth’s early remarks about time, see the excerpts from the 14th session (for January 8, 1964) in Chapter 4 of The Seth Material. I quoted a few lines from the same session midway through the Introductory Notes for Volume 1 of “Unknown” Reality (as well as after the 724th session in Volume 2), and considered some thoughts about our attempts to grasp Seth’s concept of simultaneous time. The notes introducing this first volume also contain other applicable material having to do with Jane’s trance production times for the Seth books.

4. As an artist myself, I’ve occasionally wondered if some abstract paintings could have such origins. It’s quite possible that I’ve talked about this with Jane, although I don’t remember doing so at any particular time.

[... 7 paragraphs ...]

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