“Seth material” search engine (Jane Roberts)

Art is as much a science, in the truest sense of the word, as biology is. Science as you think of it separates itself from the subject at hand. Art identifies with the subject. In your terms, then, other civilizations considered art as a fine science, and used it in such a way that it painted a very clear-cut picture of the nature of reality — a picture in which human emotion and motivation played a grand role.

Give us a moment, and rest your hand … A practitioner of this ancient art learns first of all how to become conscious in normal terms, while in the sleep state. Then he² becomes sensitive to the different subjective alterations that occur when dreams begin, happen, and end. He familiarizes himself with the symbolism of his own dreams, and sees how these do or do not correlate with the exterior symbols that appear in the waking life that he shares with others. I will have more to say about these shared symbols later, for they can become agreed upon signposts.

(10:39.) Simply as an analogy, look at it this way: Your present universe is a mass-shared dream, quite valid — a dream that presents reality in a certain light; a dream that is above all meaningful, creative, based not upon chaos (with a knowing look), but upon spontaneous order. To understand it, however, you must go to another level of consciousness — one where, perhaps, the dream momentarily does not seem so real. There, from another viewpoint, you can see it even more clearly, holding it like a photograph in your hands; at the same time you can see from that broader perspective that you do indeed also stand outside of the dream context, but in a “within” that cannot show in the snapshot because of its limitations.