“Seth material” search engine (Jane Roberts)

New paragraph: The blueprints for reality will not be found in the exterior universe. Some other civilizations experimented with a different kind of science than the one with which you are familiar. They met with varying degrees of success in their attempts to understand the nature of reality, and it is true that their overall goals were different than yours. Such people were focusing their consciousnesses in a completely different direction. Your own behavior, customs, sciences, arts, and disciplines are in a way uniquely yours, yet they also provide glimpses into the ways in which various groupings of abilities can be used to probe into the “unknown” reality.

Art is as much a science, in the truest sense of the word, as biology is. Science as you think of it separates itself from the subject at hand. Art identifies with the subject. In your terms, then, other civilizations considered art as a fine science, and used it in such a way that it painted a very clear-cut picture of the nature of reality — a picture in which human emotion and motivation played a grand role.

(9:53.) The true art of dreaming is a science long forgotten by your world.¹ Such an art, pursued, trains the mind in a new kind of consciousness — one that is equally at home in either existence, well-grounded and secure in each. Almost anyone can become a satisfied and productive amateur in this art-science; but its true fulfillment takes years of training, a strong sense of purpose, and a dedication — as does any true vocation.

To some extent, a natural talent is a prerequisite for such a true dream-art scientist. A sense of daring, exploration, independence, and spontaneity is required. Such a work is a joy. There are some such people who are quite unrecognized by your societies, because the particular gifts involved are given zero priority. But the talent still exists.

Give us a moment, and rest your hand … A practitioner of this ancient art learns first of all how to become conscious in normal terms, while in the sleep state. Then he² becomes sensitive to the different subjective alterations that occur when dreams begin, happen, and end. He familiarizes himself with the symbolism of his own dreams, and sees how these do or do not correlate with the exterior symbols that appear in the waking life that he shares with others. I will have more to say about these shared symbols later, for they can become agreed upon signposts.

There are inner meeting places, then, interior “places” that serve as points of inner commerce and communication. Period. In a completely different context, they are quite as used as any city or marketplace in the physical world. This will be elaborated upon later in the book.³ Our dream-art scientist learns to recognize such points of correlation.

In a manner of speaking, they are indeed learning centers.⁴ Many people have dreams in which they are attending classes, for example, in another kind of reality. Whether or not such dreams are “distorted,” many of them represent a valid inner experience. All of this, however, is but a beginning for our dream-art scientist, for he or she then begins to recognize the fact of involvement with many different levels and kinds of reality and activity. He must learn to isolate these, separate one from the other, and then try to understand the laws that govern them. As he does so, he learns that some of these realities nearly coincide with the physical one, that on certain levels events become physical in the future, for example, while others do not. He is then beginning to glimpse the blueprints for the world that you know.