“Seth material” search engine (Jane Roberts)

In usual circumstances you may remember the emotions that you felt at the time a picture of yourself was taken, and to some extent those emotions may show themselves in gestures or facial expression. But the greater subjective reality of that moment does not appear physically in such a photograph. It completely escapes insofar as its physical appearance within that structure is concerned. In the same way the past or the future is closed out. The particular focus necessary to produce such a picture then necessitates the exclusion of other data. That certainly is obvious. Because you must manipulate within specific time periods, you do the same kind of thing in daily life, and on a conscious level ignore or exclude much information that is otherwise available.

A remembered dream is a product of several things, but often it is your conscious interpretation of events that initially may have been quite different from your memory of them. To that extent the dream that you remember is a snapshot of a larger event, taken by your conscious mind. There are many kinds or varieties of dreams, some more and some less faithful to your memories of them — but as you remember a dream you automatically snatch certain portions of subjective events away from others, and try to “frame” these in space and time in ways that will make sense to your usual orientation. Even then, however, dream events are so multidimensional that this attempt is often a failure. It might be easier here, perhaps, if you compare a scene from a dream with a scene in a photograph. A photograph will show certain events natural to the time in which it was taken. It will not show, for example, a picture of a Turk at the time of the Crusades. A dream scene might portray just such a motif, however.