“Seth material” search engine (Jane Roberts)

A remembered dream is a product of several things, but often it is your conscious interpretation of events that initially may have been quite different from your memory of them. To that extent the dream that you remember is a snapshot of a larger event, taken by your conscious mind. There are many kinds or varieties of dreams, some more and some less faithful to your memories of them — but as you remember a dream you automatically snatch certain portions of subjective events away from others, and try to “frame” these in space and time in ways that will make sense to your usual orientation. Even then, however, dream events are so multidimensional that this attempt is often a failure. It might be easier here, perhaps, if you compare a scene from a dream with a scene in a photograph. A photograph will show certain events natural to the time in which it was taken. It will not show, for example, a picture of a Turk at the time of the Crusades. A dream scene might portray just such a motif, however.

Give us a moment … Some inventors, writers, scientists, artists, who are used to dealing with creative material directly, are quite aware of the fact that many of their productive ideas came from the dream condition. They see the results of dream activity in practical physical life. Many others, though untrained, can clearly trace certain decisions made in waking life to dreams. Few understand, however, that private reality is like a finished product, rising out of the immense productivity that occurs in the dreaming condition. Ruburt calls this The Wonderworks,² and with good reason. In waking life there are fluctuations in your consciousness, periods when you are more or less alert, in your terms, when your attention wanders from issues at hand; or when, instead, you are certainly brilliantly focused in the moment. So there are gradations of consciousness in the waking state. Usually you pay little attention to them.