“Seth material” search engine (Jane Roberts)

In those normal, generally accepted terms, the images in photographs do not change, move, or alter their relationships. The living subjective photography of dreams, however, provides a framework in which these “images” have their own mobility. They represent creativity in far different terms than you usually understand. You know what physical issue is (intently), because you see the children of your loins, but you do not experience the children of your dreams in the same physical way, nor understand that your dream life is continuous. It has organization on its own levels that you do not comprehend, and from its rich source you draw much of the energy with which you form your daily experience. Your conscious mind is the director of that experience.

Now take a brief break — and (humorously) tell Ruburt he will be amazed with the organization of this book.

(10:50. Jane’s state of dissociation had been excellent, her delivery rather fast around the indicated pauses. She said that Seth’s last remark came about because at the supper table this evening she’d told me, as she has before, that she still hasn’t read this book straight through, and has little idea of its organization. [See the appropriate note at 10:34 in the 694th session.] Then, as we ate, Jane had asked me once again if “Unknown” Reality had any organization — or purpose: “Where’s Seth going with it?” I suggested she forget such worries and let the work come out in its own way, explaining that portions of these notes were concerned with recording the circumstances surrounding just that procedure.