“Seth material” search engine (Jane Roberts)

In those normal, generally accepted terms, the images in photographs do not change, move, or alter their relationships. The living subjective photography of dreams, however, provides a framework in which these “images” have their own mobility. They represent creativity in far different terms than you usually understand. You know what physical issue is (intently), because you see the children of your loins, but you do not experience the children of your dreams in the same physical way, nor understand that your dream life is continuous. It has organization on its own levels that you do not comprehend, and from its rich source you draw much of the energy with which you form your daily experience. Your conscious mind is the director of that experience.

In your terms, however, you dream whether you are living or dead. When you are alive, corporally speaking, what you think of as dreaming becomes subordinate to what you refer to as your conscious waking life. You always examine your dreams then from an “alien” standpoint, one prejudiced in favor of the ordinary waking state. However, the dreaming condition is consequently experienced in distorted form. Often it does not seem clear. By contrast to waking consciousness it can appear hazy, not precise, or off-focus. This does not always apply, because in some dreams the state of alertness is undeniable.

(9:50.) For many reasons, some mentioned here and some not as yet discussed, you have closed your dreams out of your lives to a large extent. While you must of course hold accurate focus in time and place, there is still no basic reason why you must so divorce yourselves from dream experience.