“Seth material” search engine (Jane Roberts)

In those normal, generally accepted terms, the images in photographs do not change, move, or alter their relationships. The living subjective photography of dreams, however, provides a framework in which these “images” have their own mobility. They represent creativity in far different terms than you usually understand. You know what physical issue is (intently), because you see the children of your loins, but you do not experience the children of your dreams in the same physical way, nor understand that your dream life is continuous. It has organization on its own levels that you do not comprehend, and from its rich source you draw much of the energy with which you form your daily experience. Your conscious mind is the director of that experience.

Give us a moment … Some inventors, writers, scientists, artists, who are used to dealing with creative material directly, are quite aware of the fact that many of their productive ideas came from the dream condition. They see the results of dream activity in practical physical life. Many others, though untrained, can clearly trace certain decisions made in waking life to dreams. Few understand, however, that private reality is like a finished product, rising out of the immense productivity that occurs in the dreaming condition. Ruburt calls this The Wonderworks,² and with good reason. In waking life there are fluctuations in your consciousness, periods when you are more or less alert, in your terms, when your attention wanders from issues at hand; or when, instead, you are certainly brilliantly focused in the moment. So there are gradations of consciousness in the waking state. Usually you pay little attention to them.