Books:
TSM,
SS,
NoPR,
UR1 2,
NotP,
NoME,
TMA,
DEaVF1 2,
SDPC,
WTH,
TES1 2 3 4 5 6 7 8 9,
TPS 1 2 3 4 5 6 7,
ECS 1 2 3 4,
✖
1 result for (book:ur1 AND session:698 AND stemmed:art)
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UR1 Section 3: Session 698 May 20, 1974
3/31 (10%)
dream
lackadaisical
semiconstruction
world
useless
– The "Unknown" Reality: Volume One
– © 2012 Laurel Davies-Butts
– Section 3: The Private Probable Man, The Private Probable Woman, The Species in Probabilities, And Blueprints for Realities
– Session 698: The Dream World, Dream Artists, and the Purpose of Dreaming
– Session 698 May 20, 1974 9:28 P.M. Monday
[... 6 paragraphs ...]
To pursue certain goals, you pretended that they did not exist. Now, however, your global situation as a race requires the new acquisition of some “ancient arts.” These can help you become aware again of those inner idealizations that form your private reality and your mass world. They can permit you to become acquainted with other inward orders of events, and the rich bed of probabilities from which your physical existence emerges.
These arts are useless if they are not practiced — useless in that they lie ever latent, that they are not brought out into the exterior framework of your world. To use these arts requires first of all the knowledge that beneath the world you know is another; that alongside the focus of consciousness with which you are familiar there are other focuses quite as legitimate.
You dream, each of you, but there are few great dream artists. Many of the true purposes of dreams1 have been forgotten, even though those purposes are still being fulfilled. The conscious art of creating, understanding, and using dreams has been largely lost; and the intimate relationship between daily life, world events, and dreams almost completely ignored. The “future” of the species is being worked out in the private and mass dreams of its members, but this also is never considered. The members of some ancient civilizations, including the Egyptians, knew how to be the conscious directors of dream activity, how to delve into various levels of dream reality to the founts of creativity, and they were able to use that source material in their physical world.2
[... 21 paragraphs ...]
Similar sessions
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UR1 Section 3: Session 700 May 29, 1974
science
chaos
Wonderworks
art
scientist
– The "Unknown" Reality: Volume One
– © 2012 Laurel Davies-Butts
– Section 3: The Private Probable Man, The Private Probable Woman, The Species in Probabilities, And Blueprints for Realities
– Session 700: The True Dream-Art Scientist
– Session 700 May 29, 1974 9:28 P.M. Wednesday
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TPS3 Session 698 (Deleted Portion) May 20, 1974
physicians
alignment
canal
Cyprus
jaw
– The Personal Sessions: Book 3 of The Deleted Seth Material
– © 2016 Laurel Davies-Butts
– Session 698 (Deleted Portion) May 20, 1974 9:28 PM Monday
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UR1 Section 3: Session 699 May 22, 1974
photograph
dream
snapshots
waking
picture
– The "Unknown" Reality: Volume One
– © 2012 Laurel Davies-Butts
– Section 3: The Private Probable Man, The Private Probable Woman, The Species in Probabilities, And Blueprints for Realities
– Session 699: The “Living Photography of Dreams”
– Session 699 May 22, 1974 9:20 P.M. Wednesday
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UR1 Appendix 11: (For Session 698)
Wonderworks
intersection
chameleon
objectification
levels
– The "Unknown" Reality: Volume One
– © 2012 Laurel Davies-Butts
– Appendix 11: *The Wonderworks:* Jane’s Idea for a Book on Dreams and Reality, Based on Her Wonderworks Dream Series
– (For Session 698)