“Seth material” search engine (Jane Roberts)

The idealizations themselves are made of “conscious” stuff. These are not inert data,¹ then. The nature of probabilities determines the framework in which these fulfillments can take place, and “frames” living developments. The structure of probabilities provides on the one hand a system of barriers, in which practical growth is not chosen or significant; and on the other hand it insures a safe, creative, rich environment — a reality — in which the idealization can choose from an almost infinite variety of possible actions those best suited to its own fulfillment.

Often, for instance, you handle probabilities very well, while remaining consciously blind to them because of your concepts. Even then, however, on other levels your unconscious reaction will follow your own conscious intents. You may make a move in physical life, for example, seemingly for one reason. You may also be unconsciously reacting to quite pertinent data regarding the probable actions of others. Because you do not really fully accept the fact that you can so react, you may block this unofficial information on the one hand, even while on the other you take it into consideration. You are far more aware than you realize of the probable future in areas with which you are concerned. This is true on all levels. If your purposes do not involve illness, for instance, and yet if you believe in contagion, you will automatically avoid circumstances that can lead to epidemics. In terms of probabilities that particular kind will not enter your experience.

Biologically, there were illnesses avoided, deaths that could have occurred but did not. In space there were endless varieties of probabilities and decisions. People could have moved and did not, or others did move, and so came into that particular space area. There were an infinite number of ideas behind all of those decisions. You form your own experience. In greater terms, therefore, those people decided to be at that particular time and place, so that the photograph is the result of multitudinous decisions, and represents a focus of experience, rising from myriad probabilities. The picture of the world represents in a greater dimensional fashion the same kind of focus. Your most intimate decision affects the species. You are the creator of yourself in space and time. You also have your hand in the larger creativity of mankind’s experience.