“Seth material” search engine (Jane Roberts)

Many of your global dilemmas seem so desperate only because in those areas you have gone as far as you can go — without going further. The problems act as stimuli in that regard. This doesn’t mean that you have to experience disasters. They are not preordained. It does mean that you have chosen certain experiences, but that these will automatically lead to further creative development if you allow them to. The idealization is one of brotherhood, in terms of your species. Biologically, in your terms, such “brotherhood” operates instinctively in the cooperation of the body’s cells, as they function together to form the private corporal structure. At your viewpoint you lose appreciation for the great individuality of each cell. You take it for granted that because the cells work so well together, they have no private uniqueness.

Biologically, there were illnesses avoided, deaths that could have occurred but did not. In space there were endless varieties of probabilities and decisions. People could have moved and did not, or others did move, and so came into that particular space area. There were an infinite number of ideas behind all of those decisions. You form your own experience. In greater terms, therefore, those people decided to be at that particular time and place, so that the photograph is the result of multitudinous decisions, and represents a focus of experience, rising from myriad probabilities. The picture of the world represents in a greater dimensional fashion the same kind of focus. Your most intimate decision affects the species. You are the creator of yourself in space and time. You also have your hand in the larger creativity of mankind’s experience.