“Seth material” search engine (Jane Roberts)

(9:45. A pause lasting well over a minute.) Your current decisions to accept one specific line of consciousness as real, and to ignore others, makes such concepts difficult to understand. You train yourselves — biologically, even — to inhibit certain stimuli, yet often the body itself responds to the very stimuli that you consciously ignore. By opening up your minds to new kinds of significances, however, you can begin to glimpse other orders of events⁴ with which you are quite intimately concerned.

Biologically, there were illnesses avoided, deaths that could have occurred but did not. In space there were endless varieties of probabilities and decisions. People could have moved and did not, or others did move, and so came into that particular space area. There were an infinite number of ideas behind all of those decisions. You form your own experience. In greater terms, therefore, those people decided to be at that particular time and place, so that the photograph is the result of multitudinous decisions, and represents a focus of experience, rising from myriad probabilities. The picture of the world represents in a greater dimensional fashion the same kind of focus. Your most intimate decision affects the species. You are the creator of yourself in space and time. You also have your hand in the larger creativity of mankind’s experience.