“Seth material” search engine (Jane Roberts)

These are not “inner images of perfection,” and to some extent the blueprints² themselves change, for the action within any given system of probabilities automatically alters the entire picture, enlarging it. The blueprints are actually more like inner working plans that can be changed with circumstances, but to some extent they are idea-lizations, with a hyphen.

Platonic thought saw this inner world as perfect.⁴ As you think of it, however, perfection always suggests something done and finished, or beyond surpassing, and this of course denies the inherent characteristics of creativity, which do indeed always seek to surpass themselves. The Platonic, idealized inner world would ultimately result in a dead one, for in it the models for all exteriorizations were seen as already completed — finished and perfect.

Many have seen that inner world as the source for the physical one, but imagined that man’s purpose was merely to construct physically these perfect images to the best of his abilities. (Very forcefully:) In that picture man himself did not help create that inner world, or have any hand in its beauty. He could at best try to duplicate it physically — never able, however, to match its perfection in those terms. In such a version of inner-outer reality the back-and-forth mobility, the give-and-take between inner and outer, is ignored. Man, being a part of that inner world by reason of the nature of his own psyche, automatically has a hand in the creation of those blueprints which at another level he uses as guides.