1 result for (book:ur1 AND session:690 AND stemmed:sumari)
5/19 (26%)
Sumari
sexuality
song
passivity
female
[... 1 paragraph ...]
(The contents for this appendix, including a short description of Jane’s use of Sumari, came through within a month after the 690th session was held.
[... 8 paragraphs ...]
(Without a break Jane went from her Seth trance into another very creative mode of consciousness. For perhaps five minutes she sang to the class in Sumari,2 the trance language she initiated a few years ago. I’ve always found the quality of her Sumari expression to be of a high order. Each song is unique and thrilling, whether it’s muted or powerful, melodic or animated; often the particular delivery is made up of a combination of such attributes, as it was this evening. Class members discussed the song briefly. Then Jane came through as Sumari once more, but this time she spoke in conversational tones.3 Immediately she was finished, Seth returned:)
[... 4 paragraphs ...]
2. Sumari is a “family of consciousness” that Jane first contacted in ESP class for November 23, 1971. She and I are both Sumari. Jane describes the whole development in chapters 7 and 8 of Adventures. Various Sumari examples can also be found in Chapter 20 and the Appendix of her novel, Oversoul Seven. (And, I can write later, Seth expands his family-of-consciousness material considerably in Session 732, Section 6, Volume 2 of “Unknown” Reality.)
3. Jane also writes poetry in Sumari, and can translate it into English. When they’ve been recorded she can do the same with her Sumari songs and her verbal prose, as I call it. Later, as we discussed her use of Sumari in the material for this appendix, I asked her if she could describe the subjective feelings involved with her ability to go so quickly from Seth to Sumari, as well as to reverse the order.
“There’s nothing I can say,” she wrote, “except that the transformation is so smooth and natural to me now that later it’s hard — almost impossible — to pinpoint my feelings. I think that Seth’s energy propels me into Sumari when he initiates a song, as he did here. I just feel great energy, changing from one ‘slot’ to another.”
