“Seth material” search engine (Jane Roberts)

(Today I showed Jane the finished version of my “ghost image” portrait of her as a male in another probability. The painting represented a new approach in art for me, and had caused me a good deal of puzzlement at first. I began it early in February. I won’t take the space to describe the series of mistaken efforts I went through in producing the work, except to say that finally I came to the rather simple conscious understanding that I was trying to paint a probable Jane. All at once, as I watched her delivering the 684th session on February 20, I saw strong resemblances between my painting and certain poses she repeatedly took while in trance.

9. At once Seth’s material reminded me of a novel about dolphins that Jane worked on in 1963. Her first book-length fiction, The Rebellers, had been published (as a paperback) that summer, and she was experimenting with several new ideas. A couple of months before these sessions began in late November of that year, she wrote an outline and five chapters for a novel about the development of communications between mankind and cetaceans, and called it To Hear A Dolphin. We hadn’t realized it at the time, of course, but it embodied some of the ideas Seth was to enlarge upon in his own material. Jane had time to show her manuscript to one publisher — who rejected it — before the Seth material got under way. To Hear A Dolphin was then laid aside, evidently for good. We still talk about it every so often; we still think its basic premises are good ones. Yet were she to do the book now, Jane says, she’d have to rewrite it completely.