“Seth material” search engine (Jane Roberts)

(Today I showed Jane the finished version of my “ghost image” portrait of her as a male in another probability. The painting represented a new approach in art for me, and had caused me a good deal of puzzlement at first. I began it early in February. I won’t take the space to describe the series of mistaken efforts I went through in producing the work, except to say that finally I came to the rather simple conscious understanding that I was trying to paint a probable Jane. All at once, as I watched her delivering the 684th session on February 20, I saw strong resemblances between my painting and certain poses she repeatedly took while in trance.

There is the constant surge into your universe of new energy through infinite minute sources. The sources are the CU’s themselves. In their own way, and using an analogy, now, in certain respects at least the CU’s operate as minute but extremely potent black holes and white holes, as they are presently understood by your physicists. Give us a moment …

The CU’s, following that analogy, serve as source points or “holes” through which energy falls into your system, or is attracted to it — and in so doing, forms it. The experience of forward time and the appearance of physical matter in space and time, and all the phenomenal world, results. As CU’s leave your system, time is broken down. Its effects are no longer experienced as consecutive, and matter becomes more and more plastic until its mental elements become apparent. New CU’s enter and leave your system constantly, then. Within the system en masse, however, through their great and small organizational structures, the CU’s are aware of everything happening — not only on the top of the moment (gesturing), but within it in all of its probabilities.

Man’s consciousness, and to some extent that of the animals, is more specifically identified with form, however. In order to develop his own kind of individualized awareness, man had to consciously ignore for a while his own place within the structure of the earth. His experience of time would seem to be the experience of his identity. His consciousness would not seem to flow into his body before birth, and out of it after death. He would “forget” there was a time to die. He would forget that death meant new life. A natural message had to replace the old knowledge.

9. At once Seth’s material reminded me of a novel about dolphins that Jane worked on in 1963. Her first book-length fiction, The Rebellers, had been published (as a paperback) that summer, and she was experimenting with several new ideas. A couple of months before these sessions began in late November of that year, she wrote an outline and five chapters for a novel about the development of communications between mankind and cetaceans, and called it To Hear A Dolphin. We hadn’t realized it at the time, of course, but it embodied some of the ideas Seth was to enlarge upon in his own material. Jane had time to show her manuscript to one publisher — who rejected it — before the Seth material got under way. To Hear A Dolphin was then laid aside, evidently for good. We still talk about it every so often; we still think its basic premises are good ones. Yet were she to do the book now, Jane says, she’d have to rewrite it completely.